ZOOM H4N (01) PDF MANUAL

The H4n offers several special features:

All-in-one handy recorder: Compact (280g), lightweight design with high-quality stereo condenser microphones (XY pattern), built-in speaker, SD card recording, mixer, and internal effects.

Versatile field recorder with multi-track capability: Features multiple operation modes:

– STEREO mode: High-quality stereo recording.

– 4CH mode: Records 4 discrete channels simultaneously using onboard mics and external inputs.

– MTR mode: Multi-track recording with overdubbing.

– STAMINA mode: Records up to 11 hours on batteries.

Newly designed XY stereo microphones: Allow variable recording patterns (90 to 120 degrees) to adjust the width of the stereo image while maintaining XY configuration for natural stereo sound without phase cancellation.

XLR-1/4-inch combo jacks: Allow direct connection of various sound sources, including microphones (condenser mics requiring phantom power), electric instruments (guitar, bass, keyboard), and line-level sources.

Audio Interface/SD card reader: Connects to a computer via USB 2.0 Hi-Speed. Can function as an audio interface with built-in effects (44.1 kHz sampling rate) or as an SD card reader to transfer files.

Other built-in functions: Chromatic tuner (standard, 7-string guitar, 5-string bass, etc.), metronome, playback speed control (50% to 150%), center cancel function, Karaoke function with key control, language learning, and voice training functions.

Please observe the following safety precautions:

Power Requirements:

– Use only the specified AC adapter (ZOOM AD-14, DC5V center plus 1A). Using other types may cause damage or hazards.

– Connect the AC adapter only to an outlet supplying the required voltage.

– When disconnecting the AC adapter, grasp the adapter itself, not the cable.

– Disconnect the AC adapter during lightning or when not in use for extended periods.

– For battery operation, use two standard AA-size 1.5-volt batteries (alkaline or Ni-MH recommended due to high power consumption).

– The H4n cannot recharge batteries.

– Remove batteries if the unit won’t be used for an extended period.

– If battery leakage occurs, clean the compartment and terminals carefully.

– Keep the battery compartment cover closed during use.

Environment:

– Avoid using the H4n in environments exposed to extreme temperatures, heat sources, high humidity/moisture, excessive dust/sand, or excessive vibration/shock.

Handling:

– Do not place objects filled with liquids (like vases) on the H4n to avoid electric shock.

– Do not place naked flame sources (like lighted candles) on the H4n to avoid fire.

– Handle the H4n as a precision instrument; avoid undue pressure on keys/controls, dropping, bumping, or excessive shock.

– Prevent foreign objects (coins, pins) or liquids from entering the unit.

– Do not place the H4n speaker close to other precision instruments, electronic medical instruments, or magnetic cards.

Connecting Cables:

– Always turn off the power to the H4n and all other equipment before connecting or disconnecting cables.

– Disconnect all connection cables and the power cord before moving the H4n.

Alterations:

– Never open the case or attempt to modify the H4n, as this can result in damage.

Volume:

– Do not use the H4n at a loud volume for extended periods to prevent hearing impairment.

Electrical Interference:

– While designed to minimize interference, avoid placing the H4n near equipment highly susceptible to interference or that emits powerful electromagnetic waves.

– Be aware that electromagnetic interference can cause malfunctions and data corruption/loss.

Cleaning:

– Clean the H4n with a soft, dry cloth. If necessary, slightly moisten the cloth.

– Do not use abrasive cleansers, wax, or solvents (like paint thinner or cleaning alcohol).

The basic recording workflow involves these main steps:

1. Set-up: Connect necessary external audio devices (microphones, instruments, etc.). Ensure power source (batteries or AC adapter) is ready. (See P.029)

2. Switch On: Turn the power on. (See P.019)

3. Select the Mode: Choose the appropriate recording mode (STEREO, 4CH, MTR, STAMINA) based on your needs. (See P.037)

4. Set-up the Recording Method: Configure recording settings like Auto Rec, Rec Level Auto, Lo Cut, Comp/Limit, Mono Mix, Tuner, Metronome, Effects, etc. (See P.065 onwards)

5. RECORD: Start the recording process according to the selected mode. (See P.049, P.053, P.055)

6. Playback and Confirm: Review the recording using playback controls, mark sections, adjust speed, etc. (See P.094 onwards)

7. RE-RECORDING (MTR Mode): If needed in MTR mode, use punch-in/out to correct specific sections. (See P.061 onwards)

8. Edit-Output: Edit the recorded files/projects (Normalize, Encode, Divide, Move, Bounce, etc.). (See P.105 onwards)

1. Power On: Slide the [POWER] switch on the left panel up.

2. Confirm Mode: Ensure the STEREO mode indicator light on the front panel is lit and the STEREO top screen is displayed. If not, select STEREO mode (See P.038).

3. Enter Record Standby: Press the [REC] button once. The [REC] button will blink, the recording standby mark (II) will appear on screen, and the MIC lamp lights should illuminate.

4. Adjust Input Level: Use the REC LEVEL [+] / [-] buttons on the right panel to adjust the recording level while monitoring the input sound level meters on the screen. Aim to avoid clipping (level reaching 0 dB).

5. Start Recording: Press the [REC] button again. The [REC] button light will become solid, the recording mark (●) will appear, and the counter will start running.

6. Stop Recording: Press the [STOP] button (■). The recording mark disappears, and the counter returns to 0:00:00:000.

7. Playback: Press the [PLAY/PAUSE] button (►II) to listen to the recording through the built-in speaker (back panel) or headphones connected to the [LINE/PHONE] output jack.

Additional Notes during Recording:

– Press [PLAY/PAUSE] (►II) to pause recording (counter stops, REC light blinks); press again to resume.

– Press [REC] while recording (in WAV format) to place a Mark at that specific time.

Built-in Microphones: 90°/120° Variable XY Stereo Microphones.

Mode Indicators: LEDs indicate the active mode (STEREO/4CH/MTR).

Display: Backlit LCD showing status, levels, time, filenames, etc.

Short Cut Buttons (STEREO/4CH mode):

– [1]: Accesses settings.

– [2]: Accesses settings.

– [3]: Accesses settings (STEREO mode only).

– [4]: Accesses (REC FORMAT) settings.

Track Buttons (MTR mode): [1], [2], [3], [4] select tracks for recording or playback status.

INPUT Buttons: [MIC], [1], [2] select input sources and show input status/levels.

Transport Control Buttons:

– [REC]: Initiates recording standby or starts recording.

– [►/II] (PLAY/PAUSE): Starts playback or pauses recording/playback.

– [■] (STOP): Stops recording or playback.

– [◄◄] (REW): Rewind or navigate.

– [►►] (FF): Fast forward or navigate.

Right Panel:

– [DIAL]: Rotary dial for menu navigation and value changes (push to confirm).

– [MENU]: Accesses the menu system.

– REC LEVEL [+/-]: Adjusts the input recording level.

– SD Card Slot: For inserting the SD/SDHC memory card.

Left Panel:

– Optional remote-control jack: For connecting the optional remote control.

– [LINE/PHONE] output jack: Stereo output for headphones or line-level connection.

– VOLUME [+/-]: Adjusts the headphone/line output volume.

– USB port: For connecting to a computer (Audio Interface/SD Card Reader function).

– POWER switch / HOLD switch: Turns the unit on/off and engages the HOLD function (disables buttons).

Bottom Panel:

– DC5V AC ADAPTER jack: For connecting the included AC adapter.

– INPUT [1] jack: XLR/Standard Phone combo jack for mic/line/instrument input.

– INPUT [2] jack: XLR/Standard Phone combo jack for mic/line/instrument input.

– Installed hole for a strap.

Back Panel:

– Input jacks for external stereo microphone (Plug-in power type).

– Built-in mono speaker.

– Threaded Tripod mount.

– Battery cover.

– STAMINA mode switch.

When recording outside in the field, cover the built-in microphones with the included windshield. This helps to reduce wind noise in your recordings.

Use the included microphone stand adapter (Accessory). Attach the adapter to the threaded tripod mount on the back of the H4n. Then, mount the adapter onto a standard microphone stand. Ensure it is gripped firmly.

Connect the included AC adapter (Zoom AD-14) to the DC5V AC ADAPTER jack on the bottom panel of the H4n. Plug the other end into a suitable wall outlet. Using an adapter other than the included one may cause trouble.

1. Ensure Power is Off: Make sure the H4n is turned off before opening the battery compartment to avoid data loss.

2. Open Cover: Open the battery compartment cover on the back of the unit.

3. Insert Batteries: Insert two AA-size batteries (alkaline or Ni-MH recommended), ensuring you match the (+) and (-) polarity markings inside the compartment.

4. Close Cover: Close the battery compartment cover securely.

The Stamina Mode switch is located on the back panel, often near or under the battery cover.

– Set the switch to the standard position (often indicated by a simple icon or just ‘ON’/’OFF’ relative to Stamina) for general use with AC adapter or batteries (approx. 6 hours alkaline battery life).

– Set the switch to ‘STAMINA ON’ for Eco-power mode when using batteries (approx. 11 hours alkaline battery life). This mode has reduced functionality (records/plays WAV 44.1kHz/16-bit and MP3 only).

Using Alkaline batteries:

– In general use: about 6 hours.

– In Stamina mode: about 11 hours.

These times are approximate for continuous recording in WAV 44.1 kHz/16bit format. Actual life may vary.

A battery icon is displayed on the screen. It shows a full icon when batteries are full and gradually empties as power depletes. When remaining battery life is short, a “Low Battery!” warning appears every two seconds, and the unit will switch off shortly after. You should switch off the unit and replace batteries or connect the AC adapter when this warning appears.

Using the setting in the menu allows for more precise measurement.

Yes, the H4n can be powered by USB bus power when connected to a computer. Connect the USB cable while the H4n power is off; it will automatically turn on using USB power. This function is available only when the H4n is used as an SD card reader or an audio interface.

If the power supply is off due to dead batteries, the H4n can save the date/time setting for approximately three minutes. If power is not restored within this time, the setting will revert to its default value.

1. Preparation: Ensure all connected equipment (instruments, monitors) is turned off or volume lowered.

2. SD Card: Make sure an SD card is inserted correctly.

3. Power Switch: Slide and hold the POWER switch on the left panel upwards briefly until the unit boots up (the screen will display VER=x.xx and then the main screen).

When using additional audio devices, power them on in the following order:

1. Instruments

2. H4n

3. Mixer

4. Amplifier/Monitors

1. Preparation: Turn off connected monitors first, then instruments.

2. Power Switch: Slide and hold the POWER switch on the left panel upwards until the “GoodBye See You!” message appears on the screen and the unit shuts down.

Power off connected equipment in the reverse order of power-on:

1. Amplifier/Monitors

2. Mixer

3. H4n

4. Instruments

The HOLD function makes all button operations inactive, preventing accidental button presses during recording.

To engage the HOLD function, slide the POWER switch downwards into the HOLD position. The display will show “Key Hold”.

If you press any button while HOLD is engaged, the screen will display “Key Hold” for two seconds.

To disengage the HOLD function, slide the POWER switch out of the HOLD position (back to the middle/neutral position).

In MTR mode, these buttons control the status of individual tracks:

Switching Status: Press a track button ([1], [2], [3], or [4]) to switch its status between Playback (button off) and Recording Standby (button illuminated). When you start recording, tracks in Recording Standby will record the selected input source.

Setting Input Source: After selecting a track (making its button light up for standby), use the INPUT buttons ([MIC], [1], [2]) to select the input source for that specific track. You can record in mono, stereo, or a combination:

– Select one track: Press the desired track button (e.g., [1]). Then press [MIC] for built-in mics, or [1] and/or [2] for external inputs. (See table on P.048 for mono/stereo combinations).

– Select two tracks (for stereo): Press two adjacent track buttons (e.g., [1] and [2]). Then press [MIC] for built-in mics, or press [1] then [2] (or vice versa) for stereo external input.

These operations are generally not valid during active recording or playback.

In these modes, the TRACK buttons function as shortcuts to specific menu items:

– [1]: Opens the menu.

– [2]: Opens the menu (likely File Select).

– [3]: Opens the menu (only available in STEREO mode).

– [4]: Opens the menu (available in STEREO and 4CH modes).

These shortcuts are generally not available during active recording or playback.

The function depends on the active mode:

STEREO/STAMINA Mode:

– Press [MIC] to select the built-in microphones as the input source. The [MIC] button lights up.

– Press either [1] or [2] to select the external inputs (INPUT 1 and INPUT 2 jacks combined as a stereo pair). Both [1] and [2] buttons light up.

– Once lit, pressing the button again doesn’t deselect it in this mode. Adjustments like REC LEVEL apply to the selected (lit) input.

– If the selected input level clips (exceeds 0 dB), its button will blink.

4CH Mode:

– All input buttons ([MIC], [1], [2]) light up automatically, as this mode uses both the built-in mics (as one stereo source) and the external inputs [1]/[2] (as another stereo source) simultaneously.

– Pressing a lit button ([MIC] or [1]/[2]) selects that input source for level display and adjustment via the REC LEVEL controls.

– If an input clips, its corresponding button blinks.

MTR Mode:

– These buttons select the input source to be routed to the track(s) currently in Recording Standby.

– Press [MIC] to select the built-in microphones.

– Press [1] to select INPUT 1.

– Press [2] to select INPUT 2.

– You can select them individually (for mono) or together (e.g., press [1] then [2] for stereo input from external jacks).

– The corresponding button lights up when selected.

– If the selected input clips, its button blinks.

Clipping occurs when the input level reaches the maximum level that the H4n can record (0 dB). When this happens, the recorded sound can become distorted. If clipping occurs (indicated by the input button blinking or the level meter hitting the ‘CLIP’ or ‘0C’ mark), you need to reduce the input recording level using the REC LEVEL [-] button.

1. Select the input source you want to adjust using the INPUT buttons ([MIC], [1], [2]) as appropriate for the current mode.

2. Use the REC LEVEL [+] and [-] buttons on the right panel to increase or decrease the input level.

3. The current level (1 to 100) is displayed on the screen (e.g., “MIC LEVEL: 100”). Monitor the level meters on the main screen to set an appropriate level, avoiding clipping (hitting 0 dB).

Use the VOLUME [+] and [-] buttons on the left panel to adjust the output volume level (0 to 100) for the built-in speaker and the [LINE/PHONE] output jack. The current setting is displayed on screen (e.g., “VOLUME: 100”).

The [DIAL] on the right panel is used for navigation and selection:

– Rotate: Turn the dial to move the cursor or highlight different items in menus or lists.

– Press (Push Down): Press the dial inwards to confirm a selection or enter a submenu. When changing values (like numbers or letters), pressing confirms the change.

The [MENU] button on the right panel is used to interact with the menu system:

– Short Press: Press briefly when on the top screen of any mode to call up the main menu for that mode. During any setting operation within the menu, a short press typically cancels the current operation and returns to the previous screen.

– Long Press (Hold): Press and hold the [MENU] button for more than 2 seconds to cancel any setting operation and return directly to the top screen of the current mode.

– Cursor Movement (e.g., Date/Time): When a setting screen shows brackets `[]` around a value, rotating the [DIAL] moves the brackets to the next editable value.

– Changing Values: When brackets `[]` are highlighting a value, press the [DIAL] in. The value will be reversed (highlighted). Rotate the [DIAL] to change the number or letter. Press the [DIAL] in again to confirm the new value.

– List Selection: In menus displaying a list of options, rotate the [DIAL] to move the selection highlight (cursor) up or down the list. If a right arrow `→` appears next to an item, it indicates more options on the next screen; press the [DIAL] in to move to that screen.

– Confirm Selection: Once the desired item in a list is highlighted, press the [DIAL] in to select it and proceed.

On the main recording/playback screen (top screen):

– Rotate: Moves the cursor (highlight) between different areas on the screen, such as the counter, file name, or function icons (depending on the mode).

– Press: When the cursor is on an adjustable element like the counter (in MTR mode), pressing the [DIAL] allows adjustment or calls up the relevant setting menu.

1. Make sure the H4n power is OFF.

2. Locate the SD card slot on the right panel.

3. Insert the SD card into the slot, label side usually facing up (refer to markings if unsure), and push it in until it clicks into place.

NOTE: Never insert or remove the SD card while the power is on, as this may destroy data.

1. Make sure the H4n power is OFF.

2. Gently push the inserted SD card further into the slot. It should spring back out slightly.

3. Pull the SD card out of the slot.

NOTE: Never insert or remove the SD card while the power is on, as this may destroy data.

– Capacity: You can use SD cards from 16MB up to 32GB SDHC cards. Refer to the ZOOM website for a list of operation-certified cards.

– Formatting: If using an SD card previously used in another device (computer, camera), it must be formatted in the H4n. If the screen shows “Format Card?” at boot-up, the card needs formatting. Press [DIAL] down on to format (this will erase all data on the card).

– No Card Warning: If the screen shows “No Card” at boot-up, check that the SD card is inserted correctly.

– Card Protect: If the screen shows “Card Protect” at boot-up, the card’s physical lock switch is engaged. Slide the lock switch on the SD card to the unlocked position.

– Recording Time (4GB SDHC Approx.):

– WAV 44.1 kHz/16 bit stereo: approx. 380 minutes.

– MP3 128 kbps stereo: approx. 68 hours.

1. Press the [MENU] button.

2. Rotate the [DIAL] to highlight and press the [DIAL] in.

3. Rotate the [DIAL] to highlight and press the [DIAL] in.

4. The DATE/TIME screen appears. Rotate the [DIAL] to move the selection brackets `[]` to the YEAR.

5. Press the [DIAL] in. The YEAR value is highlighted.

6. Rotate the [DIAL] to change the YEAR value.

7. Press the [DIAL] in to confirm the YEAR.

8. Rotate the [DIAL] to move the brackets `[]` to the MONTH, then repeat steps 5-7 to set the MONTH.

9. Continue this process to set the DAY, HOUR, MINUTE, and SECOND.

10. Once all values are set, rotate the [DIAL] to move the brackets `[]` to .

11. Press the [DIAL] in to confirm and save the date and time settings.

Note: If “Reset DATE/TIME” is seen during boot-up, the date/time needs to be set as the stored value was lost (e.g., due to prolonged power loss).

The H4n uses an X Y stereo microphone configuration. This involves placing two directional microphones in a crossed pattern, with their capsules close together. This setup captures a wide stereo image while ensuring sounds arriving from the center reach both microphones simultaneously. This minimizes phase cancellation issues (which can occur with spaced microphone techniques), resulting in a natural stereo sound with good center definition.

The angle of the onboard XY microphones can be adjusted to change the width of the stereo recording pattern:

– 90 degrees: Provides a more focused sound pickup area, suitable for capturing a specific sound source or reducing ambient noise from the sides.

– 120 degrees: Captures a wider area of sound, suitable for recording larger ensembles, ambient soundscapes, or when a broader stereo image is desired.

You can physically rotate the microphone capsules to switch between the 90° and 120° settings.

If you connect an external stereo microphone that requires plug-in power to the EXT MIC jack on the back panel:

1. Press and hold the [MENU] button for more than 2 seconds to access the menu from the top screen.

2. Rotate the [DIAL] to highlight and press [DIAL] in.

3. Rotate the [DIAL] to highlight and press [DIAL] in.

4. Rotate the [DIAL] to select .

5. Press the [DIAL] in to confirm.

Note: Plug-in power and phantom power cannot be set during recording or playback.

Use standard 1/4-inch instrument cables.

– For a mono instrument like a guitar or bass, plug it directly into either INPUT [1] or INPUT [2] combo jack.

– For a stereo instrument like a keyboard, plug its Left output into INPUT [1] and its Right output into INPUT [2].

Use the XLR portion of the INPUT [1] and INPUT [2] combo jacks.

– Connect dynamic microphones or condenser microphones requiring phantom power using standard XLR cables.

If you connect condenser microphones that require phantom power to the XLR inputs:

1. Press and hold the [MENU] button for more than 2 seconds to access the menu from the top screen.

2. Rotate the [DIAL] to highlight and press [DIAL] in.

3. Rotate the [DIAL] to highlight and press [DIAL] in.

4. Rotate the [DIAL] to select either <+24V> or <+48V>, depending on your microphone’s requirements.

5. Press the [DIAL] in to confirm.

Note: Using +24V instead of +48V (if supported by the mic) can help conserve battery power. Phantom power cannot be set during recording or playback.

1. Connect the H4n to your computer using a USB cable. If the H4n is off, it may boot up automatically using USB bus power and display the USB menu. If it’s already on, proceed to step 2.

2. Press the [MENU] button.

3. Rotate the [DIAL] to highlight and press [DIAL] in.

4. Rotate the [DIAL] to highlight

5. The USB AUDIO I/F screen appears. Rotate the [DIAL] to highlight .

6. Press the [DIAL] in and select the desired sampling rate (44.1kHz or 48kHz) to match your computer’s audio software/project settings. Press [DIAL] in to confirm.

7. Rotate the [DIAL] to highlight .

8. Press the [DIAL] in. The H4n will connect to the computer as an audio interface. Your computer should recognize it as a standard USB audio device (no specific driver needed).

You can now select the H4n as the input/output device in your computer’s audio settings or DAW software.

While the H4n is connected as an Audio Interface:

– [MENU]: Press to access the

– INPUT [MIC], [1], [2]: Press to select which input(s) are sent to the computer. The corresponding button lights up. Pressing a lit button deselects it. If no input button is lit, no signal is sent.

– REC LEVEL [+/-]: Adjusts the level of the signal being sent from the selected H4n input(s) to the computer.

– VOLUME [+/-]: Adjusts the level of the audio coming *from* the computer to the H4n’s [LINE/PHONE] output jack (for monitoring).

Use the INPUT buttons ([MIC], [1], [2]) on the front panel. Press the button corresponding to the input you want to send to the computer (built-in mics, external input 1, external input 2). The selected button(s) will light up. You can select multiple inputs if needed (e.g., press [1] then [2] to send stereo external input). To monitor the input signal directly through the H4n’s headphone jack before it goes to the computer, ensure is turned ON in the

– You can record signals directly into your DAW software and play back audio from the DAW through the H4n.

– Built-in effects (like compression, reverb) can be applied to the input signal *before* it’s sent to the computer, but only when the sampling rate is set to 44.1kHz.

– Ensure the sampling rate set on the H4n (44.1kHz or 48kHz) matches the settings in your DAW software and project/playback file.

– You cannot change the sampling rate while the computer is actively recognizing the H4n as an audio interface (you may need to disconnect first).

– The H4n functions as a class-compliant USB audio device, so no specific driver installation is usually required.

– Refer to your specific DAW software’s manual for instructions on selecting and using an external audio interface.

1. Power on the H4n.

2. Connect the H4n to your computer using a USB cable.

3. The USB menu should appear on the H4n screen (if connecting while off, it powers on to this menu; if connecting while on, press MENU -> USB).

4. Rotate the [DIAL] to highlight and press the [DIAL] in.

5. The H4n screen will display “USB STORAGE” and an icon indicating connection. Your computer will recognize the H4n’s SD card as a removable drive, allowing you to transfer files to and from the card.

Note: Before physically unplugging the USB cable, always use your computer’s “Safely Remove Hardware” or “Eject” function to prevent data corruption.

The H4n has a small mono speaker built into its back panel. It allows for quick playback checks of recorded data without needing to connect headphones. The output volume is controlled by the VOLUME [+/-] buttons.

The built-in speaker can be used for:

– Playback of recorded FILES (in STEREO, 4CH, STAMINA modes).

– Monitoring audio output when using the H4n as a USB Audio Interface.

Limitations:

– There is no output from the speaker if headphones are plugged into the [LINE/PHONE] jack.

– Input monitoring ( function) signals are not output through the speaker.

– The speaker cannot be used when the H4n is in recording standby in MTR mode.

The H4n has four main operational modes:

– STEREO mode: For simple, high-quality stereo recording using built-in or external mics. Good for live performances, instruments, voice, lectures, soundscapes. Files are saved as stereo WAV/MP3.

– STAMINA mode: Similar operation to STEREO mode but optimized for longer battery life (up to 11 hours). Functionality is limited (records/plays only WAV 44.1kHz/16-bit or MP3). Ideal for long events or situations where changing batteries is difficult. Requires setting the physical Stamina switch on the back.

– 4CH mode: Records two separate stereo signals simultaneously – typically the built-in mics and the external inputs [1]/[2]. Useful for capturing ambient sound and direct sources together, surround recording setups, or recording line input and a mic at the same time. Saves as two stereo WAV files.

– MTR (Multi Track) mode: Allows for multi-track recording like a portable studio. You can record tracks one by one, overdub existing tracks, use built-in effects (guitar amp models, etc.), mix track levels, and bounce tracks. Ideal for song demos, rehearsals, and building layered recordings. Saves work as PROJECTS.

1. Press and hold the [MENU] button for more than 2 seconds while on the top screen of any mode.

2. The main menu appears. Rotate the [DIAL] to highlight and press the [DIAL] in.

3. A list of modes (STEREO, 4CH, MTR) appears. Rotate the [DIAL] to highlight the desired mode.

4. Press the [DIAL] in to select the mode and switch to its top screen.

Note: To engage STAMINA mode, you must use the physical STAMINA switch on the back of the unit *before* booting up, in addition to selecting STEREO mode if not already selected.

The currently selected mode is also indicated by the lit LED (STEREO, 4CH, or MTR) on the front panel.

– Input: You select either the built-in stereo microphones (INPUT MIC) OR the external stereo input (INPUT 1 + INPUT 2 combined) as the single stereo source.

– Saving: The recording is saved as a single stereo audio file (WAV or MP3 in STEREO mode; WAV 44.1/16 or MP3 in STAMINA mode) within one of the ten sub-folders inside the main STEREO folder on the SD card.

– Input: Both the built-in stereo microphones (INPUT MIC) AND the external stereo input (INPUT 1 + INPUT 2) are active and recorded simultaneously as two separate stereo sources.

– Saving: The H4n records two separate stereo WAV files for each recording: one file for the built-in microphone track and one file for the external input track. These file pairs are saved in one of the ten fixed folders within the 4CH structure on the SD card.

– Input: You can select the built-in microphones (INPUT MIC), external INPUT 1, or external INPUT 2 as the source. These can be recorded onto tracks as mono or stereo pairs.

– Saving: Recordings, track settings (volume, pan, effects), and other related data are saved together as a PROJECT within the MTR folder structure on the SD card (e.g., PRJ000, PRJ001). Individual track audio is stored within the project structure.

The top screen in STEREO/STAMINA mode typically shows:

– Recorder Status: Icons for Stop (■), Recording Standby (REC blinking), Recording (● REC), Play (►), Pause (II).

– Counter: Displays recording or playback time (HH:MM:SS:ms).

– File Format: Shows the current recording format (e.g., WAV 44.1kHz/16bit, MP3 128kbps).

– File Name: Displays the name of the file being recorded or played back (e.g., STE-000.WAV).

– Level Meters: Bargraph meters showing the Left (L) and Right (R) channel levels.

– Clip Meter: An indicator (0C / CLIP) lights up if the level reaches 0dB.

– Option Indicators: Icons appear when optional functions are active (e.g., CMP for Comp/Limit, 48V for Phantom Power, MS for MS Matrix, Lo Cut symbol).

– Remaining Recording Time: Shows the estimated time left on the SD card at current settings.

– Battery Indicator: Shows remaining battery life.

– Stamina Icon (STAMINA mode only): Indicates Stamina mode is active.

The top screen in 4CH mode typically shows:

– Recorder Status: Icons for Stop (■), Recording Standby (REC blinking), Recording (● REC), Play (►), Pause (II).

– Counter: Displays recording or playback time (HH:MM:SS:ms).

– File Format: Shows the recording format (always WAV in 4CH mode, e.g., 44.1/16).

– File Names: Displays the base name for the pair of files being recorded/played (e.g., 4CH000M/I.WAV).

– Level Meters: Separate stereo bargraph meters for the built-in microphones (MIC L/R) and the external inputs (IN L/R).

– Clip Meter: Indicators light up if levels reach 0dB for either input pair.

– Option Indicators: Icons appear when optional functions are active (e.g., CMP for Comp/Limit, 48V for Phantom Power, MS for MS Matrix, Lo Cut symbol).

– Remaining Recording Time: Shows the estimated time left on the SD card.

– Battery Indicator: Shows remaining battery life.

The top screen in MTR mode typically shows:

– Recorder Status: Icons for Stop (■), Recording Standby (REC blinking, depends on setting), Recording (● REC), Play (►), Pause (II).

– Counter / Appoint Time: Displays recording/playback time or appoint time marker (HH:MM:SS:ms). Can be selected/adjusted using the [DIAL].

– Track Numbers/Status: Shows tracks 1, 2, 3, 4. Icons indicate track status (e.g., Muted, Recording Standby, Playback).

– Track Menu Icon: An icon near the track status allows access to track settings (volume, pan, etc.) via [DIAL].

– Level Meters (Track): Individual level meters for each track (1-4).

– Level Meters (Master): Stereo level meters for the main Left/Right output.

– Project Name: Displays the name of the current project (e.g., PRJ000).

– Option Indicators: Icons appear when options are active (e.g., EFFECT, 48V for Phantom Power, Protect icon).

– Punch In/Out Icons: Icons appear when Auto Punch In/Out is active.

– Bounce Icon: Icon to access Bounce settings.

– Remaining Recording Time: Shows the estimated time left on the SD card.

– Battery Indicator: Shows remaining battery life.

The icons displayed when you press [MENU] vary by mode, but common ones include:

– FOLDER: File/folder management.

– FILE: File selection and information.

– INPUT: Input source settings (Mono Mix, Phantom, Plug-in, MS Matrix, etc.).

– REC: Recording settings (Format, Auto Rec, Pre Rec, Comp/Limit, Level Auto, Lo Cut).

– TOOL: Utility functions (Metronome, Tuner, Effects).

– PLAY MODE: Playback options (Repeat, etc.).

– SYSTEM: Basic device settings (Date/Time, LCD contrast, Battery type, Reset, etc.).

– SD CARD: SD card information and formatting.

– USB: USB connection modes (Storage, Audio I/F).

– MODE: Select the main operating mode (Stereo, 4CH, MTR).

– MIXER (MTR): Access track mixing controls.

– PROJECT (MTR): Project management (Select, New, Rename, Copy, Delete, Bounce, Protect).

– EFFECT (MTR): Effect selection and editing.

– REC MODE (MTR): Recording mode settings (Overwrite, Always New).

The bottom area of the menu and recording/playback screens shows:

– Current Status Indicator (Bottom Left): Displays an icon representing the current state:

– ■ STOP: Stopped.

– II PAUSE: Paused (Playback).

– ► PLAY: Playing back.

– I REC (blinking II): Recording Standby / Pause (MTR).

– I REC (blinking REC): Recording Standby (Overwrite – MTR).

– ● REC: Recording.

– Current Folder/Project (Bottom Right):

– In Stereo, 4CH, Stamina modes: Shows the current folder number (e.g., FOLDER: 01).

– In MTR mode: Shows the current project name (e.g., PRJ000).

Connect the optional remote control to the REMOTE jack on the H4n’s left panel. The remote provides access to common transport and level functions:

– VOLUME [+/-]: Adjusts output volume (0-100).

– REC LEVEL [+/-]: Adjusts input recording level (1-100).

– INPUT [MIC], [1], [2] buttons & indicators: Select input source. Indicators show status (Green: selected, Yellow: level > -6dB, Red: clipping).

– [REC] button & indicator:

– Press when stopped: Enters record standby (Indicator Red).

– Press in standby: Starts recording.

– MTR Mode Overwrite: Stops recording.

– MTR Mode Always New: Stops/Starts recording.

– Stereo/4CH Recording: Places a mark (WAV only).

– [STOP] button: Stops recording or playback.

– [PLAY/PAUSE] button: Starts/pauses playback or recording (depending on mode/state).

– [FF] / [REW] buttons: Navigate files/tracks or scan forward/reverse.

Refer to the table on P.046 for detailed button functions matching the main unit’s buttons in different modes.

1. Select Source: Press either the [MIC] button (for built-in mics) or the [1]/[2] buttons (for external stereo input). The selected button(s) will light up.

2. Adjust Level: Use the REC LEVEL [+] / [-] buttons to set the recording level (1-100), monitoring the level meters on the screen to avoid clipping.

1. Source Selection (for Level Adjust): Both [MIC] and [1]/[2] inputs are active simultaneously. Press the [MIC] button to view/adjust the level for the built-in mics. Press the [1] or [2] button to view/adjust the level for the external inputs.

2. Adjust Level: While the desired input source is selected (its button pressed), use the REC LEVEL [+] / [-] buttons to set its recording level (1-100), monitoring the respective level meters on the screen.

Hint: You can quickly switch which input’s level you are adjusting by pressing the REC LEVEL button itself. This brings up the “REC LEVEL TARGET” display, allowing you to select MIC, INPUT1 (for external), or MIC+INPUT1 (potentially for linked adjustment, though the diagram implies selecting one source at a time for adjustment).

1. Select Track(s): Press the TRACK button(s) ([1], [2], [3], [4]) for the track(s) you want to record onto. The button(s) will light up, indicating Recording Standby status.

2. Select Input Source: Press the INPUT button ([MIC], [1], or [2]) corresponding to the source you want to record. For stereo recording to two tracks, select both input buttons if using external inputs (e.g., press [1], then press [2]). The selected INPUT button(s) will light up.

3. Adjust Level: Use the REC LEVEL [+] / [-] buttons to set the recording level for the selected input source, monitoring meters as needed.

Input Configuration Options (Track vs. Input):

Note: This table illustrates possible mono/stereo track configurations. The input source ([MIC], [1], [2]) is assigned to the track(s) in standby.

1. Confirm Mode: Ensure you are in STEREO mode (or STAMINA mode if using the switch/intending longer battery life).

2. Configure Settings (Optional): Use the [MENU] button or shortcut keys to set REC FORMAT, FILE NAME TYPE, AUTO REC/STOP, PRE REC, REC LEVEL AUTO, METRONOME, etc., if desired.

3. Enter Standby: Press the [REC] button once. The button blinks, and the standby icon appears.

4. Select Input Source: Press [MIC] for built-in mics or [1]/[2] for external inputs. The corresponding button lights up.

5. Adjust Recording Level: Use REC LEVEL [+] / [-] while monitoring the input sound and level meters. Aim for a good level without clipping.

6. Start Recording: Press the [REC] button again. The button lights solidly, the recording icon appears, and the counter starts.

7. Marking (Optional): During recording (WAV format only), press the [REC] button to place a mark at that point in the file.

8. Pause/Resume (Optional): Press [PLAY/PAUSE] to pause recording; press again to resume.

9. Stop Recording: Press the [STOP] (■) button. Recording ends, and the counter resets.

Press the REC button. The REC indicator light will blink, and the recording level meters and time counter on the display will also blink.

The time counter does not return to 0 when temporarily stopped.

Press the REC button again.

The REC indicator light will turn solid, and recording will continue from the position where you stopped, on the same file.

In STEREO mode, you can record in 19 different file formats using WAV and MP3.

The recording format must be selected *before* starting a recording.

Recorded files are named automatically. You can choose between two formats:

DEFAULT: STE-xxx (where xxx is a sequential number)

DATE: YYMMDD-xxx (where YYMMDD is the recording date, and xxx is a sequential number)

The initial format is . You can change this setting before recording.

When the recording format is WAV, you can mark your file by pressing the [REC] button while recording.

You can then move swiftly to the marked position during playback.

Additionally, when you make a temporary stop while recording a WAV file, a mark will automatically be placed at the stop position.

No, while recording and playback, no change nor FILE NAME TYPE change is possible.

These settings can be accessed through the device’s MENU system. Refer to the specific sections in the PDF covering:

Mark setting

1. Press and hold the [MENU] button for more than 2 seconds to enter the menu.

2. Use the DIAL or navigation buttons to select and press the DIAL/Enter.

3. Select and press the DIAL/Enter.

4. Select the desired format (e.g., WAV44.1kHz/16bit) and press the DIAL/Enter to confirm.

Yes, when you are in the selection list (Step 4 of changing the format), you can also press the TRACK 4 button on the top screen to make a selection.

WAV FILES:

Used for high-quality sound recording.

No data compression is used.

File size is larger compared to MP3.

MP3 FILES:

Use data compression, which slightly decreases sound quality compared to WAV.

Useful for saving SD card capacity and recording longer durations.

File size is smaller compared to WAV.

kHz (Kilohertz – e.g., 44.1 / 48 / 96 kHz): Indicates the sampling rate of the analog-to-digital conversion. It represents how many times per second the audio signal is measured.

Bit Depth (e.g., 16 / 24-bit): Indicates the resolution or detail of each sample taken during the analog-to-digital conversion.

Generally, the larger the numbers for both kHz and bit depth, the higher the sound quality, but the resulting WAV files will also be larger in size.

WAV files recorded on the H4n in STEREO/4CH/STAMINA modes correspond to BWF (Broadcast Wave Format) and include marks and production date information.

Bit Rate (kbps – kilobits per second): Indicates the amount of data used per second to represent the audio. It relates to the level of compression:

A *bigger* number (e.g., 320kbps) means *less* compression, generally resulting in *higher* sound quality but a *larger* file size.

A *smaller* number (e.g., 48kbps) means *more* compression, resulting in *lower* sound quality but a *smaller* file size, occupying less space on the SD card.

VBR (Variable Bit Rate): This setting means the bit rate (and thus recording quality/compression) is automatically adjusted based on the complexity of the input audio information at any given moment, potentially offering a balance between file size and quality.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Select and press the DIAL/Enter.

3. Select and press the DIAL/Enter.

4. Select either or and press the DIAL/Enter.

No, you can set the DATE file naming type only when operating in STEREO mode.

You can use other file names (beyond the automatic options) in STEREO and MTR mode by using the function found elsewhere in the menu system.

1. Change the device mode to 4CH mode.

2. Optionally, change the FILE setting and REC FORMAT before starting.

3. Optionally, configure recording functions like AUTO REC/STOP, PRE REC, REC LEVEL AUTO.

4. Optionally, use the METRONOME.

5. Enter Recording Standby by pressing the REC button.

6. Select the input source (built-in MIC or external INPUT 1/2).

7. Adjust the recording level of the selected input sources.

8. Start recording by pressing REC or the PLAY button.

9. During recording, you can temporarily stop, record again, or put marks on the file.

10. Complete recording by pressing the STOP button.

Press the REC button once. The REC indicator light will blink, and the display will show the recording standby screen with level meters active.

While in recording standby:

Press the [MIC] button to select the built-in microphones.

Press the [1] button to select external INPUT 1.

Press the [2] button to select external INPUT 2.

You typically select the sources you intend to record from (e.g., MIC and INPUT 1&2 for full 4CH recording).

While in recording standby and after selecting the input source(s):

Use the REC LEVEL [- / +] buttons on the side of the device to adjust the input level.

Monitor the level meters on the display (e.g., MIC LEVEL: 100) and adjust so that the peaks do not consistently hit the maximum level (0 dB) to avoid clipping/distortion.

From recording standby (after pressing REC once), press either the REC button again or the PLAY/PAUSE button.

The REC indicator light will turn solid red, and the time counter on the display will start running. The input source icons (e.g., MIC, IN 1/2) may show rotating figures to indicate recording is active.

Press the STOP button.

The recording will stop, the REC indicator light will turn off, and the time counter on the display will return to 00:00:00:000 (or the beginning of the file).

Yes, the step for adjusting the recording level (Step 3 in the PDF’s diagram) can potentially be skipped, but it is highly recommended to set appropriate levels before starting recording to ensure good audio quality and avoid distortion.

While recording, press the STOP button. The REC light will blink, and the level meters/counter on the display will blink. The counter does not return to 0.

Press the REC button. The REC light will turn solid, and recording will continue from the position where you stopped, on the same pair of files.

In 4CH mode, the input from the built-in microphones and the external microphones (INPUT 1/2) are saved separately as two STEREO WAV files. These two files are always administered as one pair and are named as follows:

Built-in [MIC] file: 4CHxxxM.wav

External INPUT [1][2] file: 4CHxxxI.wav

(where xxx is a sequential number)

The screen will note the two files as ‘M/I’ simultaneously.

You cannot change this file naming convention in 4CH mode.

No. If you want to change the recording format (), you must do so *before* starting the recording. It cannot be changed during recording or playback in 4CH mode.

While the recording format is WAV, you can press the [REC] button during recording to place a mark on the file pair. You can move swiftly to these marked positions during playback.

When you pause (temporary stop) during 4CH recording, that pause position automatically becomes a mark position.

1. Change the device mode to MTR.

2. Create a new PROJECT.

3. Record the first track(s):

– Select the [REC] mode: (and optionally set up PUNCH IN/OUT) or .

– Optionally, use the METRONOME and set up EFFECTS.

– Enter Recording Standby: Select the track(s) to record, select the input source(s), adjust the recording level(s).

– Start recording.

– Use Temporary Stop / Re-start as needed.

– Complete the recording for the first track(s).

– Make settings (mix): Adjust TRACK MENU settings like LEVEL and PAN.

4. Record the second track (and subsequent tracks), following similar steps for standby, recording, and mixing.

1. Ensure you are in MTR mode.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Select and press the DIAL/Enter.

4. Select either or and press the DIAL/Enter.

You can select one track to record onto.

If the input source is either INPUT [1] or INPUT [2] (mono sources), the signal goes directly to the selected TRACK.

If the input sources are both Built-in microphones [MIC] L and R, or both INPUT [1] & [2] used together, the signals from both sources are mixed together (+) and then recorded onto the single selected TRACK.

You can select two tracks to record onto simultaneously (typically pairs like 1&2 or 3&4, or individual tracks like 1&3).

If the input source is either INPUT [1] or INPUT [2], the same signal is sent to *both* selected recording tracks (e.g., Track 1 and Track 3 would both receive the signal from INPUT [1]).

If the input source is either the Built-in [MIC] (stereo) or individual inputs INPUT [1] and INPUT [2], you can route them to separate tracks:

– Built-in microphone L can be routed to Track 1 or 3.

– Built-in microphone R can be routed to Track 2 or 4.

– INPUT [1] can be routed to Track 1 or 3.

– INPUT [2] can be routed to Track 2 or 4.

1. Ensure is selected in the menu.

2. On the main MTR screen, press the TRACK button [1], [2], [3], or [4] for the track you want to record onto. The selected track’s light will turn on.

3. Press the REC button. The selected track’s light will blink, indicating recording standby. The input level meter for that track will be active.

4. Press the PLAY/PAUSE button or the REC button again to start recording. The track light will become solid red, and recording will overwrite any existing data on that track from that point forward.

5. Press the STOP button to stop recording.

After stopping the recording, you can press the REW (Rewind) button to get back to the beginning of the file (or a desired point). Then, press the PLAY/PAUSE button to listen to what you’ve just recorded.

1. Ensure is selected in the menu.

2. On the main MTR screen, press the TRACK button [1], [2], [3], or [4] for the track you want to record onto. The selected track’s light will turn on.

3. Press the REC button. The selected track’s light will blink, indicating recording standby. A new file will be created for this recording session. The input level meter will be active.

4. Press the PLAY/PAUSE button or the REC button again to start recording the new file.

5. Press the STOP button to stop recording. The counter will return to 0, indicating the end of that new file.

After stopping the recording (which finalizes the new file), press the PLAY/PAUSE button to listen back to the recorded file you just created.

1. While on the main MTR screen, press the TRACK button [1], [2], [3], or [4] corresponding to the track you want to adjust. The track must not be armed (blinking red).

2. Press the DIAL/Enter button or navigate to the ‘TRACK MENU ICON’ (looks like sliders) on the top screen and press DIAL/Enter.

3. This opens the TRACK MENU for the selected track (e.g., TRACK1 TRK1-00.WAY).

4. Use the DIAL to select parameters like or and press DIAL/Enter.

5. Adjust the value using the DIAL and press DIAL/Enter to confirm.

1. Open the TRACK MENU for the desired track.

2. Select and press DIAL/Enter.

3. Use the DIAL to set the output level. The range is from Mute, -48.0dB up to +12.0dB.

4. Press DIAL/Enter to set the value. The fader icon on the screen will change to reflect the level.

The default level is 0.0dB.

1. Open the TRACK MENU for the desired track.

2. Select and press DIAL/Enter.

3. Use the DIAL to set the Left/Right balance. The range is from L100 (full left), through C (center), to R100 (full right).

4. Press DIAL/Enter to set the value. The pan icon on the screen will change.

The default setting is C (Center).

These settings within the TRACK MENU (, , ) are not available and cannot be changed during recording, during playback, or when the track(s) are armed (REC light blinking).

The STEREO LINK setting allows you to treat two adjacent tracks (either tracks 1 and 2, or tracks 3 and 4) as a single stereo pair.

ON: Creates a stereo track from the pair. Adjusting Level or Pan affects both tracks together.

OFF: Treats the tracks as individual mono tracks.

The default setting is OFF.

1. Open the TRACK MENU for one of the tracks in the pair (e.g., Track 1 for pair 1&2).

2. Select (STEREO LINK) and press DIAL/Enter.

3. Use the DIAL to choose ON or OFF.

4. Press DIAL/Enter to confirm the setting.

You can only play back a mono file on a track set as MONO (LINK OFF) and a stereo file on a track pair set as STEREO (LINK ON).

When is turned ON, if no appropriate stereo file is assigned, “NO DATA” will be displayed, and no file will be assigned to the individual tracks within the pair.

When changing from ON back to OFF, the setting returns to its previous individual setting.

When changing from OFF to ON, the and settings for the stereo pair return to their default values (Level: 0.0dB, Pan: Center).

The level meter display also changes to reflect ‘STEREO’ when LINK is ON.

1. Open the TRACK MENU for the desired track.

2. Select and press DIAL/Enter.

3. A list of compatible audio files available in the project will be displayed (e.g., TRK1-00.WAY, TRK1-01.WAY, NONE).

4. Use the DIAL to select the file you want to assign to the track.

5. Press DIAL/Enter to allocate the selected file to the track.

(Select NONE to unassign any file).

You cannot record directly onto the track pair designated as .

If is turned on for a track pair that contains a monaural track, the condition automatically turns to “NO DATA”.

Once a track pair (1&2 or 3&4) has been set as , you cannot set the other track pair to .

The KARAOKE setting can only be used on one pair of stereo tracks (either 1 and 2, or 3 and 4). When enabled (set to ON), it allows you to use special playback functions for the audio file assigned to that track pair, specifically KEY CONTROL (pitch shifting) and CENTER CANCEL (vocal reduction). It’s designed for creating sing-along tracks.

The default setting is OFF.

1. Open the TRACK MENU for one of the tracks in the desired pair (e.g., Track 1 for pair 1&2).

2. Select and press DIAL/Enter.

3. Use the DIAL to choose ON.

4. Press DIAL/Enter to confirm the setting.

Remember to also assign a suitable stereo audio file using the setting within the same TRACK MENU.

The automatic function allows you to precisely re-record a specific section of an already recorded track. You set the start point (PUNCH IN) and end point (PUNCH OUT) beforehand, and the recorder will automatically start and stop recording within that defined range during playback. This requires the to be set to .

1. Ensure the desired audio file is already recorded or allocated to the track you want to re-record on.

2. Access the TRACK MENU for that track.

3. Select and ensure the correct file is assigned.

4. Make sure the is set to .

After allocating the file, press the PLAY/PAUSE button to start playback of the track.

During playback (or while stopped), press the DIAL/Enter button to access the PUNCH IN / PUNCH OUT icon/menu. The icon looks like inward and outward pointing arrows.

1. Start playback of the track.

2. When playback reaches the exact spot where you want the recording to start automatically, press the DIAL/Enter button while the PUNCH IN icon is highlighted (or navigate to it if needed).

3. The PUNCH IN point is now set at that timecode.

1. After setting the PUNCH IN point, playback continues.

2. When playback reaches the exact spot where you want the recording to stop automatically, press the DIAL/Enter button while the PUNCH OUT icon is highlighted.

3. The PUNCH OUT point is now set, and the setting is confirmed.

Yes, you can set the position for while playback is stopped by using the counter. First set the IN time, move the cursor to OUT, set the OUT time, and then press [DIAL].

During the process of setting the point (Step 7), if you press the [DIAL] again *before* confirming the OUT point, the entire PUNCH IN/OUT setting will be cancelled.

After setting both PUNCH IN and PUNCH OUT points, press the REW (Rewind) button to go back to the beginning of the file, or navigate to a position before the PUNCH IN point using the counter or transport controls.

Press the TRACK button corresponding to the track where you set the punch points (e.g., TRACK [1]). The track light will start blinking red, indicating it’s in Recording Standby.

1. Ensure the track is armed (blinking red light).

2. Press the PLAY/PAUSE button to start playback.

3. The device will play the track normally.

4. When playback reaches the PUNCH IN point, the REC light will turn solid red, and recording will automatically begin, overwriting the existing audio.

5. When playback reaches the PUNCH OUT point, recording will automatically stop, and the REC light will start blinking again (standby) or turn off if playback continues past the point.

Automatic PUNCH IN/OUT is available only in MTR mode when the is set to .

During the automatic punch-in/out process:

– The track REC light blinks red during recording standby (before PUNCH IN and after PUNCH OUT if still in standby).

– The track REC light is solid red during the actual recording phase (between the PUNCH IN and PUNCH OUT points).

While playback is stopped, you can navigate the time counter using the transport controls or DIAL. Access the PUNCH IN/OUT setting screen. Select the PUNCH IN field, use the DIAL to set the precise time, press Enter. Then select the PUNCH OUT field, use the DIAL to set the precise time, and press Enter to confirm both points.

Manual PUNCH IN/OUT allows you to start and stop re-recording a section of a track “on the fly” during playback. Instead of pre-setting the IN and OUT points, you press the REC button at the moment you want to start recording (punch-in) and press the REC button again when you want to stop recording (punch-out). This method also requires the to be set to .

1. Ensure the desired audio file is allocated to the track.

2. Set the to .

Press the TRACK button for the track you intend to punch into (e.g., TRACK [1]). The track light will blink red, indicating Recording Standby.

Press the PLAY/PAUSE button. Playback of all tracks (including the armed track) will begin, but no recording occurs yet.

The device plays back the existing audio on the armed track while you listen and prepare to punch in.

While the track is playing back and the track light is blinking (armed), press the main REC button at the exact moment you want to start overwriting the recording. The track light will turn solid red, and recording on that track begins.

The new audio input is recorded onto the track, overwriting the original audio material from the punch-in point onwards. The track’s REC light remains solid red.

While recording (track light solid red), press the main REC button again at the exact moment you want to stop overwriting. Recording on that track stops, and the track light will either return to blinking red (if playback continues and the track remains armed) or turn off.

Press the STOP button to stop playback completely.

1. PLAY: Start playback (track armed, blinking light).

2. REC Start: Press REC button to punch-in (light becomes solid).

3. Re-recording: Performance is recorded, overwriting original audio.

4. REC Stop: Press REC button again to punch-out (light returns to blinking or off).

5. PLAY: Playback of original audio resumes (or stops if STOP pressed).

6. Stop: Press STOP button to end playback.

The AUTO REC function allows the H4n to automatically start recording when it detects an input sound level that surpasses a predetermined threshold (Start Level) you set. It transitions from recording standby to active recording without you needing to press the REC button again.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

4. Select and press Enter.

Once you are in the setting screen (within AUTO REC menu), use the DIAL to adjust the level. The range is typically from -48dB up to 0dB. Set the level that the input signal must exceed to trigger recording. Press Enter to confirm.

1. Navigate to the main menu (MENU > REC > AUTO REC).

2. Select the ON/OFF parameter.

3. Select ON and press Enter.

When AUTO REC is turned ON and the device is in recording standby, the display shows “Wait For Signal…”. This indicates the H4n is actively listening for the input level to cross the set START LVL threshold.

Yes, even when “Wait For Signal…” is displayed, you can still start recording manually at any time by pressing the REC button.

You cannot use or change the AUTO REC setting during active recording or playback.

AUTO REC cannot be used together with the following functions:

    
 (Metronome pre-count)

   

When the AUTO REC function (specifically AUTO REC STOP) is enabled, the H4n will automatically stop recording if the input level drops below a predetermined threshold (Stop Level) you set, and stays below that level for a specified duration (1-5 seconds).

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

4. Select and press Enter.

In the setting screen, use the DIAL to adjust the level threshold. Recording will stop if the input signal falls below this level for the set duration. Press Enter to confirm.

1. Navigate to the main menu (MENU > REC > AUTO REC).

2. Select and press Enter.

3. Use the DIAL to select the desired time duration (1sec, 2sec, 3sec, 4sec, 5sec) or select OFF to disable the Auto Stop feature.

4. Press Enter to confirm.

Note: Turning AUTO REC itself OFF in the main menu also disables AUTO REC STOP.

When AUTO REC STOP is active during recording, the ‘STOP LEVEL’ threshold you set is displayed on the screen, typically indicated by a marker on the level meter.

You cannot change the AUTO REC STOP settings during active recording or playback.

Yes, even if AUTO REC STOP is enabled, you can always stop the recording manually at any time by pressing the main [STOP] button.

The PRE REC (Pre-Record) function continuously buffers the most recent audio input. When you press the REC button to start recording with PRE REC enabled, the H4n automatically includes the 2 seconds of audio (or 1 second in certain high-resolution modes) that occurred *before* you pressed the button, adding it to the beginning of your recording file. This helps capture sounds that happen just before you react to start recording.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select

 and press Enter.

   

In the

 setting screen, select ON and press Enter.

   

The H4n constantly buffers the last couple of seconds of audio input into temporary memory. When PRE REC is ON and you press the record button, this buffered audio is instantly written to the beginning of the file before the real-time recording continues.

You cannot use or change the PRE REC setting during active recording or playback.

When recording at 96 kHz sample rate or in 4CH mode, the maximum PRE REC time is reduced to one second (instead of the usual two seconds).

PRE REC cannot be used together with the following functions:

 (Metronome pre-count)

   

The LO CUT (Low Cut) filter helps to eliminate or reduce unwanted low-frequency noise, such as wind noise, microphone handling noise (rumble), or blowing sounds from plosives (like ‘P’ and ‘B’ sounds) in speech.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

You can apply the LO CUT filter independently to the built-in microphones (MIC) or the external inputs (INPUT).

1. Access the menu.

2. Select either MIC or INPUT and press Enter to choose which source’s settings you want to adjust.

1. After selecting the input source (MIC or INPUT) in the LO CUT menu, you will see the frequency selection screen (e.g., MIC LO CUT).

2. Use the DIAL to select the desired cutoff frequency. Frequencies below the selected value will be attenuated (reduced).

3. Press Enter to confirm your selection.

The LO CUT filter offers eleven frequency options:

OFF, 80 Hz, 98 Hz, 115 Hz, 133 Hz, 150 Hz, 168 Hz, 185 Hz, 203 Hz, 220 Hz, and 237 Hz.

When selecting higher frequency numbers (e.g., 237 Hz), more low-frequency content will be cut. You should listen carefully or do a test recording to verify the outcome, ensuring you are not cutting essential parts of the desired sound (like the low end of a voice or instrument).

The smaller the number, the lower the cut-off frequency, meaning less low-end sound is removed.

The COMP/LIMIT settings help manage the dynamic range (difference between loudest and quietest parts) of the input signal during recording:

Compressor (COMP): Reduces the volume of signals *above* a certain threshold, making the overall sound more even. Some presets (like GENERAL) also lift up low-level signals, further reducing the dynamic range.

Limiter (LIMIT): Prevents the audio signal from exceeding a fixed maximum level (threshold). It strongly compresses signals that try to go over this level, primarily acting as a safety measure against clipping (distortion caused by signals being too loud).

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

Similar to the LO CUT filter, you can apply COMP/LIMIT settings independently to the built-in microphones (MIC) or the external inputs (INPUT).

1. Access the menu.

2. Select either MIC or INPUT and press Enter.

1. After selecting the input source (MIC or INPUT) in the COMP/LIMIT menu, you’ll see the list of presets.

2. Use the DIAL to select the desired setting (OFF, COMP1, COMP2, COMP3, LIMIT1, LIMIT2, LIMIT3).

3. Press Enter to confirm your selection.

Compressor vs. Limiter:

A compressor generally applies gain reduction more gradually above a threshold and can be used to make volume levels more consistent and raise the overall perceived loudness.

A limiter acts more aggressively, primarily to prevent signals from exceeding a fixed ceiling, thus avoiding digital clipping.

The REC LEVEL AUTO function automatically sets the recording level based on the input signal detected while the H4n is in recording standby. It analyzes the incoming sound and tries to set an appropriate level. Furthermore, if the input volume surpasses -6dB during the actual recording, the function will automatically adjust the input level downward to prevent clipping, displaying the new level setting on the screen for two seconds.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

In the setting screen, select ON and press Enter.

During Standby: The display shows the current input level being detected and the automatically determined recording level (e.g., MIC:100). You can see the level meters reacting to the input sound.

During Recording: If the input level exceeds -6dB, the H4n automatically adjusts the level down. The display will then show the *new* automatically adjusted level value (e.g., MIC: 89) for two seconds before returning to the standard recording display.

REC LEVEL AUTO cannot be used together with the function.

You cannot turn REC LEVEL AUTO ON or OFF during active recording or playback.

Turning the MONITOR function ON allows you to continuously listen to the input signals (from the built-in mics or external inputs) through the headphones connected to the [LINE/PHONE MINI STEREO OUT] jack, even when not recording (i.e., during recording standby).

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

In the setting screen, select ON and press Enter.

Turn the MONITOR function ON. Then, while the device is in recording standby (REC light blinking), you can hear the live input signal through headphones connected to the LINE/PHONE OUT jack.

No, you cannot monitor the live input sound through the H4n’s built-in speaker. Monitoring is only available through the [LINE/PHONE MINI STEREO OUT] jack.

Engaging the function takes the left and right input signals, blends them together into a single mono signal, and then records this same mono signal onto both the left and right channels of the stereo file (creating a dual-mono recording).

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

In the setting screen, select ON and press Enter.

When MONO MIX is active, the recorded file name will follow the format “MONO-xxx” (where xxx is a sequential number).

You cannot use the MONO MIX function together with the function.

You cannot change the MONO MIX setting during active recording or playback.

The MS STEREO MATRIX function is designed for use with a Mid-Side (MS) microphone recording configuration. It enables the H4n to properly decode the signals from a forward-facing ‘Mid’ microphone and a side-facing ‘Side’ (figure-8) microphone to create a conventional stereo (Left/Right) image during recording or monitoring.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

Within the menu, you can adjust several parameters:

ON/OFF: Enable or disable the MS decoding.

MID LEVEL: Adjust the level of the Mid microphone signal.

SIDE LEVEL: Adjust the level of the Side microphone signal (this controls the stereo width).

SOURCE: Select the input source (MIC or INPUT) – only available in 4CH mode.

CH SETTING: Assign the MID and SIDE signals to the Left and Right channels.

Select each parameter and adjust its value as needed.

1. Access the menu.

2. Select the ON/OFF parameter.

3. Choose ON or OFF using the DIAL.

4. Press Enter to confirm.

The MID LEVEL adjusts the volume of the signal from the Mid microphone (the directional microphone capturing the center image).

To adjust:

1. Access the menu.

2. Select MID LEVEL.

3. Adjust the value using the DIAL (Range: MUTE, -48.0dB to +12.0dB).

4. Press Enter.

The SIDE LEVEL adjusts the volume of the signal from the Side microphone (the bi-directional/figure-8 microphone capturing ambient/side information). Adjusting this level effectively controls the width of the resulting stereo image.

To adjust:

1. Access the menu.

2. Select SIDE LEVEL.

3. Adjust the value using the DIAL (Range: MUTE, -48.0dB to +12.0dB).

4. Press Enter.

The SOURCE setting allows you to select which physical input is providing the Mid/Side signals when you are operating in 4CH mode. This is relevant if you are using external microphones connected via the INPUT jacks for MS recording instead of the built-in mics.

To set:

1. Access the menu (must be in 4CH mode).

2. Select SOURCE.

3. Choose either MIC (built-in) or INPUT (external jacks) using the DIAL.

4. Press Enter.

The CH SETTING determines how the decoded Mid and Side signals are assigned to the Left (L-ch, typically INPUT [1]) and Right (R-ch, typically INPUT [2]) channels of the stereo output/recording.

To configure:

1. Access the menu.

2. Select CH SETTING.

3. Choose one of the options using the DIAL:

– Lch=MID Rch=SIDE (Standard configuration)

– Lch=SIDE Rch=MID (Reversed configuration)

4. Press Enter.

You cannot use the MS STEREO MATRIX function together with the function.

Yes, the H4n features a built-in tuner with multiple tuning modes, including Chromatic, Guitar, Bass, and various open tunings.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

4. Select and press Enter.

Once the CHROMATIC tuner is active, play a single note from your instrument connected to the selected input source.

The display shows:

NOTE Name: The nearest musical note detected (e.g., E, A#, C).

Indicator Marks: Arrows or marks appear to the left (Low) or right (High) of the note name, indicating if the input signal is flat or sharp compared to the target note.

In-Tune Indication: Both marks light up simultaneously when the input signal perfectly matches the indicated NOTE.

Tuning Dots: Small dots may appear further left or right to show how far out of tune the signal is.

Adjust the tuning of your instrument until both indicator marks light up for the desired note.

Press MENU to exit the tuner.

The input signal from the currently selected source (either the built-in microphones or external inputs) becomes the target for tuning.

When operating in 4CH mode, you must first select the specific input source you want to use for tuning (e.g., MIC, INPUT 1, or INPUT 2) through the menu setting before the tuner can accurately analyze the signal from that source.

No, the tuner function is not available during active recording or playback.

Besides CHROMATIC, the H4n offers specific tuning modes for:

GUITAR

BASS

OPEN A

OPEN D

OPEN E

OPEN G

DADGAD

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

4. Use the DIAL to scroll through the list of tuning modes (CHROMATIC, GUITAR, BASS, etc.).

5. Select the desired mode and press Enter.

1. Access the specific tuner mode (e.g., GUITAR TUNER).

2. The display will show the target note for a specific string (e.g., E for the 6th string of a guitar).

3. The currently selected string number is usually displayed (e.g., STRING: 6). You can typically use the DIAL to select the string you want to tune.

4. Play the corresponding string on your instrument.

5. Use the tuning indicator marks (Low/High) to adjust the string until it is in tune (both marks lit).

6. Select the next string using the DIAL and repeat the process.

Yes, you can calibrate the reference pitch (the frequency for the note A) used by all tuner modes.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

4. Select and press Enter.

In the screen, use the DIAL to select the desired frequency for A. Press Enter to confirm.

The initial (default) reference pitch setting is A = 440Hz.

You can make adjustments in steps of 1Hz, ranging from 435Hz to 445Hz.

1. Access the menu (MENU > TOOL > TUNER).

2. Within the main TUNER menu (before selecting a specific tuning mode like CHROMATIC or GUITAR), there should be an setting available when in 4CH mode.

3. Select and press Enter.

4. In the TUNER INPUT screen, select either MIC (built-in microphones) or INPUT (external inputs) using the DIAL.

5. Press Enter to confirm.

After selecting the input, you can then select the desired tuning mode (CHROMATIC, GUITAR, etc.).

Display Examples:

GUITAR TUNER: Shows note name (e.g., A#), string number (e.g., STRING: 5), and tuning indicators.

CHROMATIC TUNER (Low): Shows note name (e.g., C), tuning indicator pointing left.

CHROMATIC TUNER (High): Shows tuning indicator pointing right.

CHROMATIC TUNER (No Input): Display may be blank or show dashes.

Standard Tuning Notes:

The H4n’s metronome offers several convenient functions, including:

Click: Turns the metronome sound on or off during recording and/or playback.

Pre-count: Provides a count-in before recording starts.

Tempo: Allows setting the speed in Beats Per Minute (BPM).

Sound: Lets you choose the type of click sound.

Pattern: Sets the time signature or beat pattern.

Level: Adjusts the volume of the metronome click.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

Within the menu, you can adjust:

(On/Off behavior)

 (Number of count-in beats)

    
 (Speed in BPM)
    
 (Click sound type)
    
 (Time signature)
    
 (Volume)
   

1. Access the menu.

2. Select and press Enter.

3. Choose one of the following options:

– OFF: Metronome is always off.

– Rec&Play / Rec/Play symbol: Metronome sounds during both recording and playback.

– Rec / Rec symbol: Metronome sounds only during recording.

– Play / Play symbol: Metronome sounds only during playback.

4. Press Enter to confirm.

Note: The setting must be made *before* starting recording or playback.

The PRE COUNT provides a specified number of metronome clicks *before* recording actually starts, giving you a count-in.

To set it:

1. Access the menu.

2. Select

 and press Enter.

    
3. Use the DIAL to select the number of beats (OFF, 1 to 8 beats) or choose SPECIAL for a unique count pattern.
    
4. Press Enter to confirm.
    
The PRE COUNT setting is unavailable (cannot be set) if the 
 function or the  function is turned ON.

   

1. Access the menu.

2. Select and press Enter.

3. Use the DIAL to adjust the tempo value.

4. Press Enter to confirm.

The tempo can be set between 40.0 and 250.0 Beats Per Minute (BPM), adjustable in increments of 0.1 BPM.

1. Access the menu.

2. Select and press Enter.

3. Use the DIAL to choose the desired sound.

4. Press Enter to confirm.

Available sounds include: BELL (default), CLICK, STICK, COWBELL, and HI-Q.

1. Access the menu.

2. Select and press Enter.

3. Use the DIAL to choose the desired pattern/time signature.

4. Press Enter to confirm.

Available patterns include 0/4 (no accent), 1/4, 2/4, 3/4, 4/4 (default), 5/4, 6/4, 7/4, 8/4, and 6/8.

1. Access the menu.

2. Select and press Enter.

3. Use the DIAL to select the desired volume level (ranging from 1 to 11).

4. Press Enter to confirm.

No. The metronome always starts its beat pattern from the beginning when recording or playback commences. If you start playback in the middle of a song or track, the metronome beats might not be synchronized with the musical beats of the recording at that point.

You can use the pre-set effect patches as they are without any editing. Simply select the desired patch number and name from the EFFECT menu in MTR mode, ensure the EFFECT is turned ON, and the pre-set effect will be applied to the input signal during recording.

1. Select the pre-set patch that is closest to your desired sound in the EFFECT menu.

2. Choose the option for that patch.

3. Edit the effect modules:

– Select and adjust the

 module (amp modeling).

    
   – Select and adjust the  module (modulation, delay, etc.).
    
4. Adjust the overall patch .
    
5. Optionally,  the patch.
    
6. Adjust specific parameters within the selected modules.
    
7.  (save) the edited patch to a user location.
   

1. In the EFFECT menu of your current project, select the option.

2. Choose the import mode: (to import one specific patch) or (to import all patches).

3. Select the source PROJECT from which you want to import.

4. Follow the prompts to select the specific patch (for EACH) or confirm the import (for ALL).

5. Imported patches will then be available in your current project.

You need to change the operating mode of the H4n to MTR (Multi-Track Recording) mode. This is typically done through the main system settings or a dedicated mode button, depending on the device’s interface. Effects are primarily available and configurable within MTR mode.

When effects are turned ON in MTR mode, the selected effect patch (including PRE AMP and EFX modules) is applied to the input signal(s) *before* the audio is recorded onto the track(s). The sound you hear while monitoring (with effects applied) is what gets recorded.

Yes, you can use the built-in effects in MTR mode for both mono and stereo input signals. The signal flow routes the input (mono or stereo) through the selected PRE AMP and EFX modules before recording to the designated track(s).

The selected input source (whether mono like INPUT [1], or mixed stereo like [MIC] L/R) is routed through the active effect modules (PRE AMP + EFX) and the resulting processed signal is recorded onto the single selected track.

The effects are applied to the input source *before* the signal is potentially split or routed to the two tracks. For example, if using the built-in stereo mics [MIC L/R] as the source, the stereo signal goes through the PRE AMP and EFX modules, and the resulting stereo effected signal is recorded onto the selected track pair (e.g., Track 1 and Track 2).

In MTR mode, you can use an effect configuration made up of 2 modules simultaneously: the

 module and the  module.

   

1. Ensure you are in MTR mode.

2. Press and hold the MENU button.

3. Select and press Enter.

4. Select the ON/OFF parameter at the top of the EFFECT screen (it might be labeled just “EFFECT OFF” or similar when off).

5. Select ON and press Enter.

1. Access the main EFFECT menu (MENU > EFFECT).

2. Use the DIAL to scroll through the available patches, identified by their number and name (e.g., No.00: Fender Clean).

3. Press Enter when the desired patch is highlighted.

This patch will become active when the main EFFECT section is turned ON.

Pressing the MENU button while in the EFFECT menu (or its sub-menus like EDIT or IMPORT) will typically return you to the main MTR operating screen.

An effect patch is a saved combination of settings for the effect modules (PRE AMP and EFX), including the selected amp model or effect type and all their associated parameter values, level, and name.

There are 60 patch locations available in total. 50 of these come pre-programmed with factory presets.

The PDF includes references to pages (P.145, P.146) containing the patch list. Please consult those pages in the PDF for the complete list of preset patches.

Yes, you can create your own custom patches by editing existing presets (or empty slots), combining different PRE AMP and EFX module settings, adjusting their parameters, setting the overall level, giving it a name, and then storing it to one of the patch locations.

1. In the main EFFECT menu, select the patch you want to use as a starting point.

2. With the patch selected, choose the option (often displayed as a button or menu item on the screen).

3. Press Enter to enter the EDIT menu for that patch.

Within the EDIT menu for a patch, you can typically modify:

: Select the amp model type and adjust its parameters (gain, EQ, cabinet, etc.).

    
: Select the effect type (chorus, delay, reverb, etc.) and adjust its parameters.
    
: Adjust the overall output volume level of the patch.
    
: Change the name displayed for the patch.
   

The PRE AMP module contains various digital models of guitar and bass amplifiers. It allows you to simulate the sound and characteristics of different real-world amplifiers within your effect patch.

1. Enter the EDIT menu for the patch.

2. Select the parameter.

3. Use the DIAL to set the desired output level value (e.g., 80).

4. Press Enter.

1. Enter the EDIT menu for the patch.

2. Select the parameter.

3. Use the DIAL and Enter button to select characters and build the new name.

4. Select or equivalent to confirm the new name.

The EFX module contains a variety of non-amp-simulation effects, such as modulation effects (chorus, flanger, phaser), delay effects, reverb effects, compressors, noise gates, and more. It allows you to add these additional sonic textures to your sound after the PRE AMP stage.

After making your edits within the EDIT menu, you need to use the function to save the changes. This typically involves selecting , choosing a patch location number, and confirming the save operation ().

1. Enter the EDIT menu for the desired patch.

2. Select

 and press Enter.

    
3. This opens the PRE AMP EDIT screen where you can adjust its parameters.
   

1. Enter the PRE AMP EDIT screen for the patch.

2. Select the ON/OFF parameter (usually represented by an icon).

3. Press Enter or use the DIAL to toggle between ON and OFF.

The module must be ON to select a TYPE and adjust its parameters.

1. Ensure the PRE AMP module is turned ON within the PRE AMP EDIT screen.

2. Use the DIAL or navigation buttons to select the parameter you want to adjust (e.g., TYPE, CABINET, GAIN, EQ levels).

3. Press Enter or use the DIAL to change the value or selection for that parameter.

4. Repeat for other parameters as needed.

5. Press EXIT or MENU when finished adjusting parameters for this module.

Common icons in the PRE AMP edit screen represent:

PRE AMP Module Condition: Shows whether the module is currently ON or OFF.

EFFECT TYPE / TYPE: Indicates the selected amplifier model (e.g., FD CLEAN).

CABINET / EQ / LEVEL Icons: Represent parameters like the speaker cabinet model, equalizer settings, gain/level controls, etc.

ZNR ICON: Represents the Zoom Noise Reduction parameter, if available for the selected amp model.

The PDF references page P.139 for a detailed list of PRE AMP module parameters. Please consult that page in the PDF for specific information on each parameter’s function and range.

1. Enter the EDIT menu for the desired patch.

2. Select and press Enter.

3. This opens the EFX EDIT screen.

1. Enter the EFX EDIT screen for the patch.

2. Select the ON/OFF parameter.

3. Press Enter or use the DIAL to toggle between ON and OFF.

The module must be ON to select an effect TYPE and adjust its parameters.

1. Ensure the EFX module is turned ON within the EFX EDIT screen.

2. Select the TYPE parameter and choose the specific effect you want (e.g., RackComp, Chorus, Delay).

3. Once a TYPE is selected, other relevant parameters for that effect will appear.

4. Use the DIAL or navigation buttons to select a parameter.

5. Press Enter or use the DIAL to change its value.

6. Repeat for other parameters.

7. Press EXIT or MENU when finished.

You must first turn the specific module (either PRE AMP or EFX) ON within its respective EDIT screen. When a module is OFF, its parameters are not displayed and cannot be adjusted. After turning it ON, you can select the desired TYPE (amp model or effect) and then access and modify its parameters.

Common icons in the EFX edit screen represent:

EFX Module Condition: Shows whether the module is currently ON or OFF.

EFFECT TYPE / TYPE: Indicates the selected effect type (e.g., RackComp, Delay).

VARIOUS PARAMETERS: Icons representing the specific adjustable parameters for the selected effect TYPE (e.g., speed, depth, time, feedback).

The PDF references page P.141 for a detailed list of EFX module parameters. Please consult that page in the PDF for specifics on each effect type’s parameters.

1. Enter the main EDIT menu for the patch (e.g., EDIT:Fender Clean).

2. Select the parameter.

3. Use the DIAL to change the numerical value representing the patch level (e.g., 78, 80).

4. Press Enter or MENU to confirm the level change temporarily (remember to STORE the patch to save permanently).

1. Enter the main EDIT menu for the patch.

2. Select the parameter.

3. This will open the EFFECT PATCH RENAME screen.

4. Use the DIAL and Enter button (or navigation keys) to delete existing characters and input new characters for the desired name.

5. Once the name is entered, select and press Enter.

Remember to STORE the patch to save the name change permanently.

To save changes made to the patch’s Level, Name, or any module parameters, you must use the function (usually accessed from the main EDIT menu).

To exit the EDIT menu (or RENAME/LEVEL adjustment screens) *without* saving the changes you just made, press the MENU button. This will typically return you to the previous screen or the main MTR screen without applying the edits permanently.

1. After making all desired edits (modules, parameters, level, name), navigate back to the main EDIT menu for the patch.

2. Select the parameter and press Enter.

1. After selecting , you will enter the PATCH STORE TO screen.

2. Use the DIAL to select the desired patch number location (e.g., No.00, No.01, etc.) where you want to save the edited patch.

3. Press Enter.

1. After selecting the patch location in the PATCH STORE TO screen, you will likely be presented with an EXECUTE or confirmation screen (e.g., EFFECT PATCH STORE, STORE TO NO.XX, EXECUTE ->).

2. Select and press Enter.

3. A final confirmation prompt like “Store This Patch? (YES) (NO)” may appear.

4. Select YES and press Enter to complete the save operation.

If you have made edits to a patch but have not yet stored them, the parameters you changed (like the PRE AMP type or specific settings) might display an ‘ED’ indicator next to them in the edit screens, signifying they are in an edited, but not yet saved, state.

When you confirm the save (select YES), the current edited settings will overwrite the contents of the selected patch location.

To save without overwriting an existing patch you want to keep, scroll through the patch locations during the STORE TO step and select an empty or unused patch number.

Patch changes made and stored are saved only for the *current project*. They are not automatically available in other projects unless you specifically import them using the function.

Yes, you can apply edited and saved EFFECT PATCHES from one project to the current project using the function within the EFFECT menu.

1. Go to the main EFFECT screen in your current project (MENU > EFFECT).

2. Select the option (often displayed near OFF and EDIT).

3. Press Enter.

After pressing , you need to select the import MODE:

EACH PATCH: Allows you to select and import one specific patch from another project into a specific location in the current project.

ALL PATCHES: Imports all effect patches from the selected source project, overwriting all corresponding patch locations in the current project.

1. After choosing MODE: ALL PATCHES, you will likely be taken to the PROJECT SELECT screen.

2. Use the DIAL to highlight the project containing the patches you want to import.

3. Press Enter.

After selecting the source project (for either EACH or ALL import), you typically need to select and press Enter to move to the confirmation step.

1. After selecting the source project and pressing NEXT, you will see a confirmation screen (e.g., “Are You Sure?”).

2. Select YES and press Enter.

3. All patches from the selected source project will be read into the current project, replacing the existing patches.

When using the EACH PATCH import mode:

1. Select the source project and press NEXT.

2. You will enter the PATCH IMPORT FROM screen.

3. Use the DIAL to scroll through the patches available in the source project.

4. Select the desired patch you want to import and press Enter.

When using the EACH PATCH import mode:

1. After selecting the patch to import (PATCH IMPORT FROM), you will enter the PATCH IMPORT TO screen.

2. Use the DIAL to select the patch number location in your *current* project where you want the imported patch to be placed.

3. Press Enter.

1. After selecting the destination location (PATCH IMPORT TO), you will see a confirmation screen (e.g., “Are You Sure?”).

2. Select YES and press Enter.

3. The selected patch from the source project will be imported into the chosen location in the current project.

If you press the option in the EFFECT menu and there are no other saved projects on the SD card besides the current one, a “No Other Project!” message will be displayed.

1. Start in the current project’s EFFECT menu.

2. Select .

3. Choose the Import MODE (EACH or ALL).

4. Select the source PROJECT containing the desired patches.

5. If importing EACH, select the specific patch FROM the source and the location TO import into the current project.

6. Confirm the import (select YES).

7. The patch(es) are now available in the current project.

The KARAOKE function allows you to take a standard stereo music file (typically background music), assign it to a dedicated KARAOKE track pair in MTR mode, and then utilize special playback features like Center Cancel (to reduce vocals) and Key/Pitch shifting. You can then record your own vocals or instruments onto separate tracks while listening to the modified KARAOKE track playback, effectively creating a sing-along or play-along recording.

1. Preparation: Get your stereo background music file and import it into a new MTR project.

2. Setting KARAOKE: Designate a track pair (1&2 or 3&4) as the KARAOKE track and allocate your music file to it.

3. Adjustment: Fine-tune the KARAOKE track playback using Level, Center Cancel, Key, and Fine-tune controls.

4. Operation: Connect a microphone, set up another track for recording your performance, and record while listening to the KARAOKE track.

1. Prepare the stereo audio file you want to use as the background music.

2. Create a new PROJECT specifically for your Karaoke session within MTR mode.

3. Import the prepared stereo file into this new project’s folder (e.g., by copying it to the SD card or using the device’s import/move functions).

1. In MTR mode, open the TRACK MENU for one of the tracks in the pair you want to use (e.g., Track 1 for pair 1&2).

2. Select the setting.

3. Set it to ON.

4. Then, within the same TRACK MENU, select the setting.

5. Choose the imported stereo background music file you prepared and allocate it to the KARAOKE track pair.

Once a track pair is set to KARAOKE and a file is allocated, the TRACK MENU for that pair provides special adjustment parameters:

LEVEL: Adjusts the playback volume of the karaoke track.

CENTER CANCEL: Attempts to reduce or remove vocals or centrally-panned instruments (ON/OFF).

KEY: Changes the overall pitch of the track in semitone steps.

FINE-FINE / FINE: Allows for fine-tuning the pitch in smaller increments (cents).

FILE: Shows/allows changing the allocated background music file.

1. Connect your microphone or instrument to the appropriate input jack.

2. Select a track *other* than the KARAOKE pair (e.g., Track 3) by pressing its TRACK button.

3. Arm this track for recording by pressing the REC button (its light should blink).

4. Adjust the input level for your microphone/instrument.

5. Press PLAY/PAUSE to start playback of the KARAOKE track and simultaneously begin recording your performance onto the armed track (e.g., Track 3).

6. Press STOP when finished.

1. Open the TRACK MENU for Track 1 (for pair 1&2) or Track 3 (for pair 3&4).

2. Select the parameter.

3. Choose ON and press Enter.

1. After setting KARAOKE to ON, remain in (or re-enter) the TRACK MENU for the KARAOKE pair.

2. Select the parameter.

3. Use the DIAL to browse and select the desired stereo background music file from the list (e.g., BACK-TRACK08.WAY).

4. Press Enter to allocate the file.

1. Open the TRACK MENU for the KARAOKE track pair.

2. Select the (Center Cancel) parameter.

3. Choose ON and press Enter.

1. Open the TRACK MENU for the KARAOKE track pair.

2. Select the parameter.

3. Use the DIAL to adjust the key up or down in semitone steps (e.g., +1, -2, b2, #3).

4. Press Enter to set the desired key change.

Compared to a standard track’s menu (which has LEVEL, PAN, LINK, FILE, etc.), the TRACK MENU for a pair designated as KARAOKE contains specific parameters relevant to karaoke playback:

LEVEL: Controls volume.

CNT CANCEL: Enables/disables Center Cancel.

KEY: Adjusts pitch in semitones.

FINE: Adjusts pitch in smaller increments (cents).

FILE: Assigns the background music file.

It lacks standard controls like PAN or LINK, as these are handled differently for the karaoke function.

1. Open the TRACK MENU for the KARAOKE track pair.

2. Select the (or FINE-FINE) parameter.

3. Use the DIAL to adjust the pitch in small increments, typically measured in cents (100 cents = 1 semitone). You can adjust it slightly sharp (+) or flat (-).

4. Press Enter to set the fine adjustment.

Connect your microphone to one of the external INPUT jacks (INPUT 1 or INPUT 2) using the appropriate cable (e.g., XLR or 1/4″). Press the corresponding INPUT button [1] or [2] to activate that input.

Choose a track that is *not* part of the KARAOKE pair. For example, if tracks 1&2 are set for KARAOKE, press the TRACK [3] button or TRACK [4] button to select one of those for your recording.

After setting up the KARAOKE track and connecting your microphone/instrument (but *before* arming a track for recording), simply press the PLAY/PAUSE button. This will start playback of the KARAOKE track, allowing you to practice along.

1. Select and arm the track you want to record onto (e.g., press TRACK [3], then press REC – light blinks).

2. Ensure your input level is set correctly.

3. Press the PLAY/PAUSE button.

4. Playback of the KARAOKE track will start, and recording onto the armed track (Track 3) will begin simultaneously.

No, you cannot use the standard function (applying PRE AMP or EFX modules) together with the KARAOKE function.

The PDF references page P.059 for general information about the TRACK MENU in MTR mode. Please consult that page for details on accessing and using its standard functions like Level and Pan.

Immediately after recording: Simply press the PLAY/PAUSE button.

To play back a file later:

1. Use the MENU or file navigation buttons to access the file list.

2. Select the desired file.

3. Press the PLAY/PAUSE button to start playback.

1. Press and hold the MENU button.

2. Select and press Enter.

3. You are now in the FILE MENU, showing a list of files (e.g., STE-000.WAV, STE-001.WAV).

4. Use the DIAL to scroll and highlight the file you want to play.

5. Press Enter (or select then Enter).

6. Press the PLAY/PAUSE button to start playback.

Alternatively, from the main screen, you might be able to use the DIAL to scroll through files within the current folder.

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How do I start playback of the selected file?

Once a file is highlighted or selected in the file list or on the main screen, press the PLAY/PAUSE button.

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Is there a shortcut to access the file list?

Yes, on the main operating screen (top screen), pressing the TRACK [2] button can act as a shortcut to directly access the file list menu (equivalent to MENU > FILE).

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Are there other ways to start playback or select files?

Yes:

If you select a file from the list and then immediately press the PLAY/PAUSE button (instead of pressing Enter/

first), playback will start right away.

From the main operating screen (top screen), you can often select files located within the current folder directly by using the DIAL without entering the full menu system.

Besides normal playback, you can select different playback modes:

PLAY ALL: Playback all the files in the current folder sequentially, then stop.

PLAY ONE: Playback only the currently selected file, then stop.

REPEAT ONE: Playback the currently selected file repeatedly.

REPEAT ALL: Playback all files in the current folder repeatedly.

1. Press and hold the MENU button.

2. Select and press Enter (this might be under a TOOL or main PLAYBACK menu).

3. Use the DIAL to select the desired mode (PLAY ALL, PLAY ONE, REPEAT ONE, REPEAT ALL).

4. Press Enter to confirm the selection.

No, you cannot change the setting during active recording or playback.

Playback marks allow you to pinpoint specific locations within a WAV audio file. Once marks are created, you can quickly jump directly to these marked spots during playback using the FF (Fast Forward) and REW (Rewind) buttons, making navigation within long files much easier.

While the file is playing back, press the [REC] button at the exact moment you want to place a mark. A mark will be created at that timecode position.

During playback of a file that contains marks, press the [FF] button to jump forward to the next mark, or press the [REW] button to jump backward to the previous mark.

Mark function is available only for files in WAV format (not MP3).

The maximum number of marks you can place in a single file is 99.

Once a mark has been created, it cannot be deleted.

Yes, pressing the [REC] button during *recording* (when the format is WAV) also creates marks at those points in the file.

You can view and potentially navigate using a list of all marks within a file by accessing the function in the menu system.

The PDF references page P.115 for the function. Please consult that page in the PDF for instructions on how to access and use the Mark List.

AB Repeat allows you to select two points within an audio file (Point A as the start and Point B as the end) and have the device continuously play back only the section between those two points, looping it repeatedly.

1. Press and hold the MENU button.

2. Select and press Enter.

3. Select and press Enter.

The AB Repeat interface will appear on the screen.

After accessing the screen, press the PLAY/PAUSE button to start normal playback of the file.

While the file is playing back, press the DIAL/Enter button at the exact moment you want the repeat section to begin. An ‘A’ mark will be placed at that point on the display, and the interface will change to prompt for Point B.

After setting Point A, continue playback. When the file reaches the exact moment you want the repeat section to end, press the DIAL/Enter button again. A ‘B’ mark will be placed, and the H4n will immediately start playing back the section between Point A and Point B repeatedly.

Yes, you can set points [A] and [B] while playback is stopped by navigating the time counter in the AB REPEAT screen. Select the A point time, press Enter, select the B point time, press Enter.

Quick Press (less than 2 seconds): Pressing [FF] or [REW] quickly will typically move playback to the next or previous file, or if the file contains marks, it will jump to the next or previous mark.

Long Press (more than 2 seconds): Pressing and holding [FF] or [REW] will initiate audible fast forward or rewind seeking within the current file, allowing you to move to a desired point based on sound.

While AB Repeat is active (or after setting A and B points), press the [REC] button. This will clear the A and B points and cancel the AB Repeat mode.

Press the STOP button.

Press the PLAY/PAUSE button to pause playback at the current position within the loop. Press PLAY/PAUSE again to resume.

Press and hold the [FF] or [REW] buttons to seek forward or backward within the defined A-B section.

Press the [FF] or [REW] button quickly (for less than 2 seconds).

No, during AB repeat playback (after setting both A and B points), you generally cannot access or make changes to other device settings through the menu system until you cancel the AB Repeat mode.

Yes, you can adjust the playback speed of audio files. This function, , is available only when the H4n is operating in STEREO MODE.

1. Ensure you are in STEREO MODE.

2. Press and hold the MENU button.

3. Select and press Enter.

4. Select and press Enter.

1. Access the adjustment screen.

2. Use the DIAL to select the desired playback speed percentage.

3. Press Enter to set the speed.

You can set the playback speed between 50% (half speed) and 150% (one and a half times speed), with adjustments possible in increments or decrements of 5%. The default speed is 100% (normal speed).

After setting the desired speed percentage in the menu, press the PLAY/PAUSE button. The selected file will start playing back at the adjusted speed.

Yes, pressing the TRACK [3] button while on the main top screen of STEREO MODE can act as a shortcut to directly access the adjustment menu.

No, you cannot adjust the setting during active recording or while a file is currently playing back. You must stop playback first to change the speed setting.

Available only in STEREO MODE.

Access via MENU > TOOL > SPEED or TRACK [3] shortcut.

Adjustable range: 50% to 150%.

Adjustment steps: 5% increments/decrements.

Default speed: 100%.

Cannot be changed during recording or playback.

You can still use [FF] and [REW] buttons to move the playback location within the file while speed is adjusted.

Download the latest ZOOM H4 ASIO driver from the ZOOM Corporation website (http://www.zoom.co.jp). The driver software is required to use Cubase LE 4 for audio input and output with a computer. Refer to the read_me file included in the download package for specific installation instructions.

Note: Ensure your H4n system software is up to date; otherwise, the computer might not recognize the H4n correctly. Download the latest system software from the ZOOM website if needed.

1. Insert the supplied “Cubase LE 4” DVD-ROM into the computer’s DVD drive.

2. When prompted (e.g., a screen asking what you want to do), select “Open folder to view files”.

3. Open the “Cubase LE 4 for Windows” folder by double-clicking it.

4. Double-click the executable “Setup” (“Setup.exe”) file to start the installation process.

Hint: If nothing happens automatically, open “Computer” (or “My Computer” in Windows XP) from the Start menu, find the “Cubase LE 4” DVD-ROM icon, and double-click it to view the contents.

Note: After installation, you will be asked to install activation management software, which is required for registering Cubase LE 4.

1. Connect the H4n to the computer using a USB cable.

2. Power the H4n using either the AC adapter or batteries.

3. Take the required steps on the H4n to enable the USB Audio Interface mode. (Refer to the H4n manual section “Setting up: USB connection, H4n used as an Audio Interface”).

4. The computer will recognize the H4n. If it’s the first time, wait for the message “Your devices are ready to use”.

Note:

– Monitor the audio signal via the H4n’s [PHONES/LINE] jack to avoid delay.

– Use a high-quality USB cable, keeping it as short as possible (under 3 meters) to avoid potential low voltage warnings if using USB bus power.

1. Open the Control Panel from the Start menu.

2. Click “Hardware and Sound”, then click “Sound”.

3. In the “Sound” window, go to the “Playback” and “Recording” tabs.

4. Verify that “H4 Audio” is listed under both tabs.

5. If “H4 Audio” is not checked as the default device, right-click on the “H4 Audio” icon and select “Set as Default Device”. A check mark should appear.

1. Start Cubase LE 4 (e.g., by double-clicking the desktop shortcut).

2. Go to the “Devices” menu and select “Device Setup…”.

3. In the Device Setup window, click “VST Audio System” in the left panel.

4. In the right section, select “ZOOM H4 ASIO Driver” from the ASIO Driver drop-down menu.

5. A confirmation message will appear. Click the “Switch” button.

1. In the Cubase LE 4 Device Setup window, with “VST Audio System” selected and “ZOOM H4 ASIO Driver” chosen as the ASIO driver, click the “Control Panel” button in the right section.

2. A window specific to the ZOOM H4 ASIO driver will appear.

3. Adjust the latency setting. Set it as low as possible without causing sound dropouts during recording or playback.

4. Adjust the sampling frequency setting to match the setting used on your H4n.

5. Click OK in the driver window and then OK in the Device Setup window to apply the settings.

1. Insert the supplied “Cubase LE 4” DVD-ROM into the Mac’s DVD drive.

2. The contents should appear automatically. If not, double-click the “Cubase LE 4” icon on the desktop.

3. Open the “Cubase LE 4 for MacOS X” folder by double-clicking it.

4. Double-click the “Cubase LE 4.mpkg” file to start the installation process and follow the on-screen instructions.

1. Connect the H4n to the computer using a USB cable.

2. Power the H4n using either the AC adapter or batteries.

3. Take the required steps on the H4n to enable the USB Audio Interface mode. (Refer to the H4n manual section “Setting up: USB connection, H4n used as an Audio Interface”).

4. The computer will recognize the H4n.

Note:

– Monitor the audio signal via the H4n’s [PHONES/LINE] jack to avoid delay.

– Use a high-quality USB cable, keeping it as short as possible (under 3 meters) to avoid potential low voltage warnings if using USB bus power.

1. Open the “Applications” folder, then the “Utilities” folder.

2. Double-click “Audio MIDI Setup”.

3. In the Audio MIDI Setup window, click the “Audio Devices” tab.

4. Check if “H4 Audio” is selected as the “Default Input” and “Default Output”.

5. If another device is selected, use the pull-down menus for Default Input and Default Output to change the selection to “H4 Audio”.

6. Close Audio MIDI Setup.

1. Start Cubase LE 4 (usually found in the Applications folder).

2. Go to the “Devices” menu and select “Device Setup…”.

3. In the Device Setup window, click “VST Audio System” in the left panel.

4. In the right section, verify that “H4 Audio (2)” is selected as the ASIO Driver.

5. If another item is selected, use the pull-down menu to change the selection to “H4 Audio (2)”.

6. Click the OK button to close the window.

1. In Cubase LE 4, go to the “Devices” menu and select “VST Connections”.

2. Click the “Inputs” tab.

3. Verify that the “Audio Device” is set to the H4n driver (e.g., “ZOOM H4 ASIO Driver” on Windows, “H4 Audio” on Mac).

4. Verify that the “Device Port” is set to the H4n inputs (e.g., “Zm In 00” / “Zm In 01” on Windows, corresponding H4 Audio ports on Mac).

5. Click the “Outputs” tab.

6. Verify that the “Audio Device” is set to the H4n driver.

7. Verify that the “Device Port” is set to the H4n outputs (e.g., “Zm Out 00” / “Zm Out 01” on Windows, corresponding H4 Audio ports on Mac).

8. If incorrect devices/ports are selected, click the respective fields and choose the correct H4n options from the menu.

9. Close the VST Connections window.

1. Go to the “Project” menu.

2. Select “Add Track”.

3. In the submenu that appears, select “Audio”.

4. The “Add Audio Track” window will appear.

5. Specify the number of tracks you want to add in the “Count” field.

6. Select the track configuration (e.g., “Stereo” or “Mono”).

7. Click the OK button.

8. The new audio track(s) will be added to the project window.

1. Select the audio track you want to configure by clicking on it in the project window.

2. If the Inspector panel is not visible on the left side, click the “Show/Hide Inspector” button (often looks like an ‘i’ or gear icon) in the toolbar.

3. In the Inspector panel:

– Select the input routing: Click the input routing field (usually showing “Stereo In” or similar) and select the appropriate H4n input bus (e.g., the stereo input you configured in VST Connections).

– Select the output routing: Click the output routing field (usually showing “Stereo Out” or similar) and ensure it’s set to the main H4n output bus.

– Adjust other track settings like volume, pan, inserts, EQs, and sends as needed within the Inspector sections.

1. Connect your guitar, other instrument, or microphone to the appropriate [INPUT 1] or [INPUT 2] jack on the H4n.

2. On the H4n, select the desired input source (Input 1, Input 2, or built-in Mic) and adjust input levels and select any desired effect patch. Refer to the H4n manual for details on selecting input sources and patches.

3. The sound selected/processed by the H4n will be sent to the computer via the USB connection for recording in Cubase LE 4.

1. Go to the “Devices” menu in Cubase LE 4.

2. Select “Mixer”.

3. The mixer window will appear, showing channel strips for each track in your project and the main stereo output (master channel).

4. On the channel strip corresponding to the audio track you added:

– Click the “Record Enable” button (usually red ‘R’ or circle icon) to put the track in recording standby. It should light up red.

– Click the “Monitor” button (usually an orange speaker icon) to hear the input signal through Cubase (useful for monitoring with effects, but introduces latency). It should light up orange.

Note: For zero-latency monitoring, monitor directly from the H4n’s [PHONES/LINE] output jack and disable the Monitor button in Cubase.

1. Ensure the track in Cubase LE 4 is record-enabled (Red ‘R’ button active).

2. Optionally, enable monitoring in Cubase (Orange speaker button active) if you need to see levels post-Cubase input, OR monitor directly from the H4n.

3. Play your instrument or speak into the microphone connected to the H4n.

4. Observe the level meter on the corresponding channel strip in the Cubase Mixer window (or project window track).

5. **Important:** Adjust the input level using the physical REC LEVEL dial/buttons on the H4n itself, NOT the fader in Cubase LE 4.

6. Set the level on the H4n so that the meter in Cubase peaks as high as possible without consistently hitting the very top (0 dBFS or red indicators), which indicates clipping (distortion).

To avoid audible delay (latency):

1. Connect headphones or monitors to the [PHONES/LINE] output jack on the H4n.

2. Adjust the H4n’s output volume control.

3. In Cubase LE 4, make sure the “Monitor” button (orange speaker icon) on the track’s channel strip is turned OFF.

If you need to monitor through Cubase (e.g., to hear software effects while recording):

1. Connect headphones or monitors to the H4n’s [PHONES/LINE] output jack.

2. In Cubase LE 4, turn ON the “Monitor” button (orange speaker icon) for the track.

3. Be aware that you will likely hear a delay (latency) between playing/singing and hearing the sound.

Note: While the Monitor button is enabled in Cubase, you might hear both the direct signal from the H4n and the delayed signal from Cubase simultaneously, causing a phasing or flanger-like effect if monitoring from the H4n output. Disabling Cubase monitoring eliminates this for direct H4n monitoring.

1. Ensure the desired track(s) are record-enabled (red ‘R’ button active).

2. Verify that the transport panel is visible (If not, go to the “Transport” menu and select “Transport Panel”).

3. Click the main Record button (usually a large red circle) in the transport panel.

4. Recording will start, and the waveform should appear in real-time on the record-enabled track(s) in the project window as you play or sing.

5. To stop recording, click the Stop button (usually a square) in the transport panel.

1. Disable record-enable (click the red ‘R’ button) on the track you just recorded.

2. Click the “Go to Beginning” button (often looks like |<<) in the transport panel to return the playback cursor to the start of the project.

3. Optionally, if you adjusted the master fader down during recording checks, raise the Master Fader in the Mixer window to a suitable listening level.

4. Click the Play button (usually a triangle ▶) in the transport panel.

5. Listen to the playback through your monitors or headphones connected to the H4n’s output.

Hint: If you hear no sound, double-check your VST Connections settings (Inputs/Outputs) and ensure the track output is routed correctly, and the master fader is up.

If Cubase LE 4 runs slowly or you see messages like “Cannot synchronize with USB audio interface”, try the following:

1. Shut down other applications: Close any unnecessary programs running besides Cubase LE 4, especially resident software and utilities.

2. Reduce plug-in usage: Using many effects or virtual instruments (plug-ins) can strain the computer’s processing power. Try disabling or removing some plug-ins.

3. Reduce track count: Playing back many tracks simultaneously can also be demanding. Try muting or disabling some tracks.

4. Power the H4n with an AC adapter: Using USB bus power can sometimes lead to fluctuations. Using the dedicated AC adapter might provide more stable power and improve performance.

5. Restart: If problems persist, disconnect the H4n, shut down Cubase LE 4, reconnect the H4n’s USB cable, and then restart Cubase LE 4.

1. Press and hold the [MENU] button for more than 2 seconds to enter the menu from the top screen.

2. Use the dial or buttons to navigate to .

3. Press the dial or appropriate button to select .

4. The Mixer screen appears.

5. To adjust LEVEL:

– Navigate so the cursor highlights the LEVEL parameter (e.g., MIC LEVEL or INPUT LEVEL).

– Use the dial to change the level value (e.g., -48.0dB to +12.0dB).

– Press the dial or button to confirm the setting.

6. To adjust PAN:

– Navigate so the cursor highlights the PAN parameter (e.g., MIC PAN or INPUT PAN).

– Use the dial to change the pan position (e.g., L100 to R100, Center).

– Press the dial or button to confirm the setting.

7. Press EXIT or MENU to leave the Mixer screen.

On the Mixer screen in 4CH mode:

– **Parameter Name:** Shows the parameter currently selected by the cursor (e.g., MIC LEVEL, INPUT PAN).

– **Setting Value:** Displays the current value of the selected parameter.

– **Modification Indicator:** An icon (often a small symbol) appears next to the parameter name if you are modifying the MIC or Input track settings.

– **Fader Icon:** Visually represents the level setting.

– **Pan Pod Icon:** Visually represents the pan setting.

– **Confirmation Icons:** Icons appear after adjusting a setting to confirm the change.

– **LEVEL Range:** MUTE, -48.0dB to +12.0dB (Default: 0.0dB)

– **PAN Range:** L 100 _ C _ R 100 (Default: Center)

In MTR (Multi-Track Recorder) mode, you can record files to individual tracks and play them back:

1. **Initial Recording:** Press REC while Track 1 is armed [1 + REC]. This records audio to Track 1 (e.g., creating TRK1-00.wav). Tracks 2, 3, and 4 remain empty (NO FILE).

2. **Next Recording:** Arm Track 2 [2 + REC] and press REC. Track 1 will play back while new audio is recorded to Track 2 (e.g., creating TRK2-00.wav).

3. **Subsequent Recordings:** Repeat the process for Tracks 3 and 4. When recording Track 3 [3 + REC], Tracks 1 and 2 will play back. When recording Track 4 [4 + REC], Tracks 1, 2, and 3 will play back.

4. **Playback 4 Tracks:** Press PLAY/PAUSE [►||] without any track armed for recording. All recorded tracks (TRK1-00.wav, TRK2-00.wav, TRK3-00.wav, TRK4-00.wav) will play back simultaneously.

When recording onto a track that already contains audio in MTR mode, you can choose how the new recording interacts with the old one (set via TRACK MENU options):

– **OVER WRITE:** The new recording replaces the existing audio on that track segment. The original file (e.g., TRK1-00.wav) is modified or replaced.

– **ALWAYS NEW:** The new recording creates a new file segment (e.g., TRK1-01.wav) on the track, preserving the original audio segment (TRK1-00.wav). During playback, the H4n plays the appropriate segment based on the project’s timeline or file allocation.

Refer to P.057 and P.058 in the PDF for details on setting these recording modes.

If you have assigned specific audio files (not necessarily recorded sequentially) to different tracks within an MTR project (using the TRACK MENU – P.059), you can play them back together:

1. Ensure the desired files (e.g., Guitar.wav on Track 1, Bass.wav on Track 2, TRK3-01.wav on Track 3, TRK4-01.wav on Track 4) are allocated to their respective tracks.

2. Press the PLAY/PAUSE [►||] button.

3. The H4n will play back the files currently assigned to each track simultaneously according to the project’s timeline.

1. While on the MTR top screen, press and hold the [MENU] button for more than 2 seconds.

2. The time counter display (00:00:00:000) becomes active.

3. Use the dial or navigation buttons to select the part of the counter you want to change (hours, minutes, seconds, milliseconds).

4. Press the dial/button to confirm the selection.

5. Use the dial or navigation buttons to change the value of the selected figure.

6. Press the dial/button to confirm the change.

7. Repeat steps 3-6 for other parts of the time counter as needed.

8. Once the desired time is set, pressing PLAY [►||] will start playback from that appointed time. The counter format is time:minute:second:1/1000 second.

1. Press and hold the [MENU] button for more than 2 seconds to enter the menu from the top screen.

2. Navigate to using the dial or buttons and press to select.

3. The FOLDER SELECT screen appears, listing available folders (FOLDER01, FOLDER02, etc.). The currently active folder is indicated (e.g., FOLDER: 01).

4. Navigate to the desired folder using the dial or buttons.

5. Press the dial or button to select the highlighted folder. This folder becomes the active folder for subsequent file operations.

Shortcut: You can often access by pressing the TRACK [1] button while on the top screen.

Note: You cannot change folders during recording or playback. You can select from 10 folders in STEREO/STAMINA and 4CH modes.

1. Ensure you are in the correct folder using .

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. The FILE MENU screen appears, listing the files within the current folder.

5. Navigate to the desired file using the dial or buttons.

6. Press the dial or button to select the highlighted file. This brings up the file operation menu (SELECT, INFORMATION, RENAME, etc.).

7. Navigate to and press.

8. The top screen will update, showing the selected file name and its format/details, confirming it’s ready for playback or other operations.

Hint: You can often select files directly from the top screen by using the [DIAL]. You can also jump to the menu (step 3 above) by pressing the TRACK [2] button on the top screen.

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How do I view detailed information about a selected file?

1. Select the desired file using the procedure (navigate to , select the file).

2. In the file operation menu that appears (showing SELECT, INFORMATION, etc.), navigate to .

3. Press the dial or button to select .

4. The FILE INFORMATION screen will display details about the selected file.

5. Press EXIT or MENU to return to the previous screen.

The following information is displayed:

Item	Description
NAME	Name of the file
DATE	The recorded date of the file, or the renewal date if created by PC or other device.
FORMAT	The format of the file (e.g., WAV44.1/16). *On MTR Mode, display is either MONO or STEREO.
SIZE	Capacity of the file (kB or MB).
TIME	The recording time of the file.

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How do I delete a selected file?

1. Select the file you want to delete using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. A confirmation screen appears (“DELETE: [Filename] Are You Sure?”).

5. Navigate to .

6. Press the dial or button to confirm the deletion.

Caution: Once deleted, you cannot retrieve the file.

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How do I delete all files within the current folder or project?

1. Select any file within the target folder or project using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. A confirmation screen appears showing the folder/project name (“DELETE ALL [Folder/Project Name] Are You Sure?”).

5. Navigate to .

6. Press the dial or button to confirm the deletion of all files in that folder/project.

Caution: Once deleted, you cannot retrieve the files.

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How do I copy a file in MTR mode?

1. Ensure you are in MTR mode.

2. Select the file you want to copy within your current project using the procedure.

3. In the file operation menu, navigate to .

4. Press the dial or button to select .

5. The FILE COPY screen appears, showing the default name for the copy (e.g., COPY-AAA).

6. Optional: To change the name, navigate to NAME and press. Use the renaming procedure to enter a new name, then select OK.

7. Navigate to EXECUTE.

8. Press the dial or button to execute the copy operation.

The copied file is saved within the same project as the original file.

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How do I rename a file?

Note: This applies to STEREO, MTR, and STAMINA modes. Files recorded in 4CH MODE cannot be renamed.

1. Select the file you want to rename using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. The FILE RENAME screen appears with the current filename and a cursor on the first character.

5. To change a character: Use the dial to cycle through available characters (space, symbols, numbers, letters A-Z, a-z).

6. Press the dial or button to confirm the character and move the cursor to the next position.

7. Repeat steps 5-6 for all characters you wish to change.

8. When finished editing the name, navigate the cursor to the “OK” position at the beginning of the filename.

9. Press the dial or button to confirm the new filename.

Hint: If the filename is longer than 12 characters, a triangle mark appears indicating more letters exist off-screen. If you enter a name that already exists, an error message “This File Name Already Exists!” appears, and you must choose a different name.

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How do I encode a WAV file to MP3 format (STEREO mode)?

Note: This function is only available in STEREO MODE.

1. Select the WAV file you want to encode using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. The FILE MP3 ENCODE screen appears. Navigate to .

5. Press the dial or button. The MP3 BIT RATE selection screen appears.

6. Available bit rates (kbps): 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320, VBR (Default: 128 kbps).

7. Navigate to your desired bit rate and press to select.

8. You return to the FILE MP3 ENCODE screen. Navigate to .

9. Press the dial or button to start the encoding process.

The resulting file will be named “[Original file name].mp3”. If a file with this name already exists, a “File Name Exists!” message appears. You will need to use (on the original or existing file) before encoding.

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How do I normalize the volume level of a recorded file?

Note: Normalize function is only available for files recorded in WAV format.

1. Select the WAV file you want to normalize using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. A confirmation screen appears (“FILE NORMALIZE Are You Sure?”).

5. Navigate to .

6. Press the dial or button to start the normalization process.

The H4n automatically adjusts the volume level of the file for enhanced sound quality and consistency.

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How do I mix down a 4CH file to a stereo file (Stereo Encode)?

1. Select the 4CH file (e.g., 4CH000M/I.WAV) you want to mix down using the procedure (ensure you are in 4CH mode or select the 4CH folder).

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. The FILE STEREO ENCODE screen appears.

5. Optional: Set up Mixer settings: Navigate to . Press to select. Choose ENABLE to apply the current 4CH Mixer settings (Level/Pan) during the mixdown, or DISABLE to mix the files 1:1 without Mixer adjustments. Press to confirm.

6. Select Destination Folder: Navigate to . Press to select. Choose the target folder (in STEREO mode, e.g., FOLDER01) where the resulting stereo file will be saved. Press to confirm.

7. Execute: Navigate to . Press the dial or button to start the encoding (mixdown) process.

The resulting stereo file is stored in the selected folder in STEREO mode. The filename is typically the same as the original 4CH file, but with M/I changed to MIX (e.g., 4CH000MIX.WAV). If a file with this name already exists, you’ll get a “File Name Exists!” error and need to use first.

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How do I view the list of marks placed in a WAV file?

1. Select the WAV file containing marks using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. The MARK LIST screen appears, showing the timecode for each mark (e.g., M01 00:09:02).

– Marks created by the user are typically numbered sequentially (M01, M02…).

– Marks automatically placed by the H4n due to sound dropout (skipping) may also be indicated.

5. If there are no marks in the file, the display will show “No Mark!”.

6. Press EXIT or MENU to leave the list.

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What causes sound dropout (skipping) on an SD card, and how does processing load relate?

Sound dropout happens when the H4n cannot transfer recorded data to the SD card fast enough, often because the processing speed required exceeds the card’s capability at that moment. The speed required depends on the recording mode, file format (), and the type/speed of the SD card itself.

Higher processing loads increase the chance of dropouts. The load generally increases as follows:

Load	STEREO MODE	4CH MODE
Heavy	WAV96kHz/24bit	WAV48kHz/24bit
	WAV96kHz/16bit	WAV44.1kHz/24bit
Light	WAV48kHz/24bit WAV44.1kHz/24bit WAV48kHz/16bit WAV44.1kHz/16bit	WAV48kHz/16bit WAV44.1kHz/16bit
	MP3	N/A

If dropouts occur frequently, try changing to a setting with a lighter processing load (e.g., lower sample rate or bit depth).

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How do I divide a file in STEREO mode?

Note: This function is available in STEREO MODE.

1. Select the file you want to divide using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. The FILE DIVIDE screen appears, showing the current playback position.

5. Press PLAY [►||] to start playback and locate the desired dividing point.

– Use REWIND [◄◄] and FAST FORWARD [►►] to navigate. Holding them performs WIND, pressing moves to MARK points.

– Press PLAY/PAUSE [►||] to pause playback.

6. When playback reaches the exact point where you want to divide the file, press the REC [●] button.

7. A confirmation screen appears (“FILE DIVIDE Are You Sure?”).

8. Navigate to .

9. Press the dial or button to confirm the division.

The original file will be split into two files. The first part will have ‘A’ appended to its name (e.g., STE-000A.WAV), and the second part will have ‘B’ appended (e.g., STE-000B.WAV).

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How do I move files to a different folder or mode (MTR Project)?

1. Select the file you want to move using the procedure.

2. In the file operation menu, navigate to .

3. Press the dial or button to select .

4. The FILE MOVE screen appears. Navigate to .

5. Press to select. Choose the destination mode: STEREO FOLDER or MTR PROJECT.

6. Press to confirm the mode.

7. If moving to STEREO FOLDER:

– Navigate to and press.

– The FOLDER SELECT screen appears. Choose the destination STEREO folder and press to confirm.

8. If moving to MTR PROJECT:

– The FOLDER SELECT screen (showing MTR Projects) appears. Choose the destination MTR project and press to confirm.

The file is moved to the selected destination.

Note on Movable Formats:

– Only stereo WAV files can move to STEREO folders (Monaural files cannot).

– Only 4CH files can move to 4CH folders.

– Only 44.1 kHz/16bit WAV format files (Stereo or Mono) can be moved to an MTR project. Trying other formats results in a “44.1kHz/16bit WAV Format Only!” error.

– MTR project folders must exist before moving files to MTR mode. If none exist, a “No Project!” error occurs.

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How do I create a new project in MTR mode?

1. Ensure you are in MTR mode.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. In the PROJECT menu, navigate to .

5. Press to select.

6. The NEW PROJECT screen appears, showing a default name (e.g., PRJ001).

7. Optional: To change the name:

– Navigate to and press.

– Use the character selection process (dial to select, press to confirm/advance) to enter a name up to 8 letters long.

– Select when finished naming.

8. Navigate to .

9. Press the dial or button to create the new project.

The H4n automatically assigns the next available project number. You cannot change this number, but multiple projects can share the same name. A maximum of 1000 projects can be created.

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How do I select an existing project in MTR mode?

1. Ensure you are in MTR mode.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. In the PROJECT menu, navigate to

.

5. Press to select.

6. The PROJECT SELECT screen appears, listing available projects with their numbers and names.

7. Navigate to the desired project using the dial or buttons.

8. Press the dial or button to select and load the highlighted project. The MTR top screen will now reflect the selected project.

1. Ensure you are in MTR mode.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. In the PROJECT menu, navigate to .

5. Press to select.

6. The PROJECT DELETE screen appears, listing available projects.

7. Navigate to the project you want to delete.

8. Press the dial or button to select it.

9. A confirmation screen appears (“PROJECT DELETE Are You Sure?”).

10. Navigate to .

11. Press the dial or button to confirm the deletion.

Note: Once deleted, a project cannot be retrieved. Protected projects cannot be deleted; you must remove protection first (see function).

1. Ensure you are in MTR mode.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. In the PROJECT menu, navigate to .

5. Press to select.

6. The PROJECT RENAME screen appears, listing available projects.

7. Navigate to the project you want to rename and press to select it.

8. The project name becomes editable with a cursor on the first character.

9. Use the character selection process (dial to select, press to confirm/advance) to enter the new name (up to 8 letters long).

10. Navigate the cursor to the “OK” position at the beginning of the name.

11. Press the dial or button to confirm the new project name.

Note: The project number remains unchanged. Multiple projects can have the same name.

1. Select the project you want to copy using the procedure, making it the currently active project.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. In the PROJECT menu, navigate to .

5. Press to select.

6. The PROJECT COPY screen appears.

– COPY TO: Shows the lowest unused project number that the copy will be assigned.

– NAME: Shows the name of the project being copied.

7. Optional: To change the name of the copy:

– Navigate to and press.

– Use the renaming procedure to enter a new name for the copied project.

– Select when finished naming.

8. Navigate to .

9. Press the dial or button to create the copied project.

Bounce combines tracks created in MTR mode and mixes them down to a single mono or stereo track file within the same project.

1. Select the target project where bouncing will occur using .

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to the option on the top screen (indicated by the BOUNCE icon) and press to select.

4. The BOUNCE screen appears.

5. Optional: Name the bounced file:

– Navigate to and press.

– Use the renaming procedure to enter a name (e.g., BOUNCE00). Default is typically BOUNCE XX.

– Select when finished naming.

6. Select output format:

– Navigate to and press.

– Select either STEREO or MONO for the bounced file format.

– Press to confirm.

7. Execute bounce:

– Navigate to .

– Press the dial or button to start the bouncing process.

– A “Now Processing” message appears, followed by “Complete!”.

A new file with the specified name and format is created within the current project.

Note: Bouncing cannot be performed during recording or playback.

Project protection prevents accidental changes to files or track divisions within that project.

1. Select the target project using .

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press to select.

4. In the PROJECT menu, navigate to .

5. Press to select.

6. The PROJECT PROTECT screen appears with options ON and OFF.

7. To protect: Navigate to and press.

8. To unprotect: Navigate to and press.

A lock icon or similar mark appears on the MTR top screen for protected projects. If you try to change a file (e.g., record, divide) in a protected project, the screen will display “Project Protected”.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Navigate to and press.

3. In the SYSTEM menu, navigate to and press.

4. The DISPLAY BACK LIGHT screen appears.

5. Select the desired duration:

– OFF: Light is always off.

– ON: Light is always on.

– 15sec: Light stays on for 15 seconds after the last key operation (default).

– 30sec: Light stays on for 30 seconds after the last key operation.

6. Press the dial or button to confirm your selection.

Note: This setting cannot be changed during recording or playback.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Navigate to and press.

3. In the SYSTEM menu, navigate to and press.

4. The DISPLAY CONTRAST screen appears, showing the current contrast value (1-8).

5. Use the dial or buttons to change the number. Higher numbers correspond to more contrast (darker). Lower numbers make it lighter.

6. Press the dial or button to confirm the new contrast setting.

Note: Default is #5. This setting cannot be changed during recording or playback.

Setting the correct battery type allows the H4n to display the remaining battery lifetime more accurately.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Navigate to and press.

3. In the SYSTEM menu, navigate to and press.

4. The BATTERY TYPE screen appears.

5. Select the type of batteries currently installed:

– ALKALINE (Default): For standard alkaline batteries.

– Ni-MH: For Nickel-Metal Hydride rechargeable batteries.

6. Press the dial or button to confirm your selection.

Note: Only use Alkaline or Ni-MH batteries. This setting cannot be changed during recording or playback.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Navigate to and press.

3. In the SYSTEM menu, navigate to and press.

4. The SOFTWARE VERSION screen appears, displaying:

– SYSTEM: The main system software version.

– BOOT: The boot program version.

5. Press EXIT or MENU to leave the screen.

Note: This screen cannot be accessed during recording or playback.

A factory reset returns all settings on the H4n back to their original default condition.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Navigate to and press.

3. In the SYSTEM menu, navigate to (Factory Reset) and press.

4. A confirmation screen appears (“FACTORY RESET Are You Sure?”).

5. Navigate to .

6. Press the dial or button to confirm and perform the factory reset.

Caution: All settings stored in the unit will be deleted and return to the original defaults. This operation cannot be undone.

Note: This function cannot be used during recording or playback.

1. Press and hold the [MENU] button for more than 2 seconds.

2. Navigate to and press.

3. In the SD CARD menu, navigate to and press.

4. The CARD REMAIN screen appears, displaying:

– A bar graph showing approximate remaining capacity (0% – 100%).

– Remaining volume in MB (e.g., 1560MB).

– Remaining recording time based on the current recording format (e.g., 1:36:17).

5. Press EXIT or MENU to leave the screen.

Note: This screen cannot be accessed during recording or playback.

Formatting prepares the SD card for use with the H4n.

1. Insert the SD card into the H4n.

2. Press and hold the [MENU] button for more than 2 seconds.

3. Navigate to and press.

4. In the SD CARD menu, navigate to and press.

5. A confirmation screen appears (“CARD FORMAT Are You Sure?”).

6. Navigate to .

7. Press the dial or button to confirm and start formatting.

Caution: Formatting deletes ALL data on the SD card. Data cannot be recovered.

Note:

– If you insert an SD card not formatted for the H4n, a “Format Card?” prompt may appear during boot-up. Select YES to format.

– SD cards previously used in a computer or digital camera should be formatted by the H4n before use.

– Formatting cannot be done during recording or playback.

1. **Download:** On a computer (PC or Mac) with internet access, go to the ZOOM website (http://www.zoom.co.jp) and download the most recent H4n system software update file.

2. **Connect H4n to PC:**

a. Insert an SD card into the H4n.

b. Connect the H4n to the computer using a USB cable.

c. On the H4n, when the USB menu appears, select and press.

d. The H4n will act as an SD card reader, and the card should appear as a drive on your computer.

3. **Copy Software:** Copy the downloaded system software file (it usually has a specific name like H4nSYS.BIN or similar) onto the root directory (the main level, not inside any folders) of the SD card via the computer.

4. **Disconnect:** Safely eject the SD card/H4n drive from your computer. Disconnect the USB cable from the H4n.

5. **Initiate Update on H4n:**

a. Make sure the H4n is powered off.

b. Press and HOLD the PLAY/PAUSE [►||] button.

c. While holding the PLAY/PAUSE button, switch the H4n power ON.

d. The VERSION UP screen should appear, showing the current and new system versions.

e. Select and press the dial/button to start the update process.

f. A “Checking File…” message followed by an update progress indicator will appear.

g. Keep the power ON during the entire update process. Do not turn off the H4n.

h. Once complete, the H4n may restart or prompt you to power cycle.

Note: Always ensure the H4n has sufficient battery power or is connected via AC adapter during the update.

1. Insert the SD card previously used in an H2 or H4 unit into the H4n.

2. Power on the H4n.

3. A message will appear: “[H2/H4] Files Are Located On SD Card. Move These Files to H4n Folder?”.

4. Select and press the dial/button.

5. A “Please Wait” message appears while the files and projects are moved.

6. Once complete, a “Complete!” message appears, and the H4n finishes booting up.

Note:

– Stereo files from the H2/H4 card are moved to the H4n’s stereo folders.

– Project files from the H4 card are moved to the H4n’s MTR projects.

– After moving, the SD card will no longer be recognized properly by the original H2/H4 unit.

– Projects are moved in numerical order. If the H4n reaches its 1000 project limit during transfer, a “Project Full!” message appears, and moving stops. You must reduce the project count on the H4n and then repeat the process if necessary.

– If a file or project with the same name already exists on the H4n, a “File Name Exists!” or similar message appears. You may need to use the function on the H4n to resolve the conflict before or after the transfer.

The following table shows setting availability. (△ = Available, Blank = Not Available)

Note: ○ indicates settings usable during recording/playback (*Metronome has exceptions). △ indicates settings not usable during recording/playback.

The following Guitar Preamp effect types are available:

• FD CLEAN: Clean sound of Fender TwinReverb (’65)
• VX CLEAN: Clean sound of Vox AC30
• HW CLEAN: Clean sound of Hiwatt Custom 100
• UK BLUES: Crunch sound of Marshall 1962 Bluesbreaker
• BGcrunch: Crunch sound of Mesa Boogie MK
• MS #1959: Crunch sound of Marshall 1959
• PV DRIVE: High-gain sound of Peavey 5150
• RECT VNT: High-gain sound using the red channel of Mesa Boogie Dual Rectifier (Vintage mode)
• DZ DRIVE: High-gain sound of Diezel Herbert channel 3
• TS+FDcmb: Combination of Fender Combo amp and Ibanez TS-9
• SD+MSstk: Combination of Marshall stack amp and Boss SD-1
• FZ+MSstk: Combination of FuzzFace and Marshall stack amp
• ACO SIM: Makes an electric guitar sound like an acoustic guitar.

Parameters for the main 12 preamp types (FD CLEAN to FZ+MSstk):

Parameters for ACO SIM:

Bass Preamp Effect Types:

• SVT: Simulation of Ampeg SVT sound.
• BASSMAN: Simulation of Fender Bassman 100 sound.
• HARTKE: Simulation of Hartke HA3500 sound.
• SUP-Bass: Simulation of Marshall Super Bass sound.
• SANSAMP: Simulation of Sansamp Bass Driver DI sound.
• TUBE PRE: ZOOM original tube preamplifier sound.

Mic Preamp Effect Types:

• VO MPRE: Preamp with characteristics optimized for vocals.
• AG MPRE: Preamp with characteristics optimized for recording an acoustic guitar.
• FlatMPRE: Preamp with flat characteristics.

Common Parameters for Bass Preamp Types:

Common Parameters for Mic Preamp Types:

Compressor/Limiter Effect Types:

• RackComp: Attenuates high-level signals and boosts low-level signals.
• LIMITER: Attenuates high-level signals that exceed a certain threshold.

Modulation Effect Types:

• AUTO WAH: Auto wah effect that tracks input signal intensity.
• PHASER: Produces sound with a pulsating character.
• TREMOLO: Periodically varies the volume.

Parameters for RackComp:

Parameters for LIMITER:

Parameters for AUTO WAH:

Parameters for PHASER:

Parameters for TREMOLO:

Modulation Effect Types:

• RING MOD: Produces a metallic ringing sound.
• SLOW ATK: Softens the attack rate of each note (violin style).
• FLANGER: Produces a resonating and strongly undulating sound.
• STEP: Changes the sound in a staircase pattern.
• VIBE: Automatic vibrato effect.

Chorus Effect Types:

• CHORUS: Mixes a variable pitch-shifted component for a full-bodied sound.
• ENSEMBLE: Chorus ensemble with three-dimensional movement.

Parameters for RING MOD:

Parameters for SLOW ATK:

Parameters for FLANGER:

Parameters for STEP:

Parameters for VIBE:

Common Parameters for CHORUS and ENSEMBLE:

Pitch/Modulation Effects:

• CRY: Varies the sound like a talking modulator.
• PITCH: Shifts the pitch up or down.

Delay/Reverb Effects:

• AIR: Lends spatial depth by reproducing ambient room atmosphere.
• DELAY: Long delay up to 5000 milliseconds.
• ECHO: Simulates tape echo with long delay up to 5000 ms.
• ANALOG: Simulates warm-sounding analog delay up to 5000 ms.
• RvsDelay: Reverse delay with long delay time up to 2500 ms.
• HALL: Simulates concert hall acoustics.
• ROOM: Simulates room acoustics.
• SPRING: Simulates a spring reverb.
• ARENA: Simulates a large venue like an arena.
• T ROOM: Simulates acoustics of a tiled room.
• M SPRING: Simulates a bright and clear sounding spring reverb.

Parameters for CRY:

Parameters for PITCH:

Parameters for AIR:

Common Parameters for DELAY, ECHO, ANALOG:

Parameters for RvsDelay:

Common Parameters for HALL, ROOM, SPRING, ARENA, T ROOM, M SPRING:

Note on Note Durations (♪ symbol): Parameters with ♪ can be set using note units based on the metronome tempo. Refer to the table on page 144 of the PDF for note durations.

The following Guitar patches are available (for 4-track mode and audio interface function at 44.1kHz):

The following Bass and Mic patches are available (for 4-track mode and audio interface function at 44.1kHz):

Bass Patches:

Mic Patches:

General:

• Simultaneous Recording Tracks: 2 (Stereo/Stamina/MTR), 4 (4CH)
• Simultaneous Playback Tracks: 2 (Stereo/Stamina), 4 (4CH/MTR)
• Recording Time (4GB SDHC): Approx. 380 min (WAV 44.1/16 stereo), Approx. 68 hours (MP3 128kbps stereo) – Times are approx.
• Max File Size (Simultaneous Recording): 2GB
• Projects (MTR): 1000/card
• Locate Function: Hours/Minutes/Seconds/Milliseconds
• Other Functions: Punch-in/out, Bounce, A-B repeat
• Modules: 2
• Effects: 50 Types (Stereo/4CH: LO CUT, COMP/LIMITER; MTR: PRE AMP module, EFX module)
• Patches: 60
• Tuners: Chromatic, Guitar, Bass, Open A/D/E/G, DADGAD
• Metronome Sounds: 5
• Metronome Beat: 1/4 – 8/4, 6/8, unaccentuated
• Metronome Tempo: 40.0 – 250.0 BPM
• A/D Conversion: 24 bit x 128 oversampling
• D/A Conversion: 24 bit x 128 oversampling
• Recording Media: SD card (16MB – 2GB), SDHC card (4GB – 32GB)
• Data type (Record/Play): WAV (Quantization 16/24 bit, Sampling freq 44.1/48/96 kHz), MP3 (Bit rate 48-320kbps/VBR, Sampling freq 44.1kHz Record; Bit rate 32-320kbps/VBR, Sampling freq 44.1/48kHz Playback)
• Display: 128 x 64 dots Full-dot LCD (with backlight)

Inputs:

• INPUT [1] [2]: XLR (balanced) / Standard phone (unbalanced) combo jack
• Input Impedance: 1 kΩ balanced (pin 2 hot), 480 kΩ unbalanced
• Input Level: -10 dBm to -42 dBm (balanced), +2 dBm to -32 dBm (unbalanced)
• Built-in Stereo Mic: Unidirectional condenser, Gain +7 dB to +47 dB
• EXT MIC: Mini stereo phone jack
• Input Impedance: 2 kΩ
• Input Level: -7 dBm to -47 dBm

Outputs:

• LINE/PHONE: Mini stereo phone jack
• Output Load Impedance: 10 kΩ or more
• Rated Output Level: -10 dBm
• Phone Output: 20 mW + 20 mW (into 32 Ω load)
• Monaural Speaker: 400 mW 8 Ω

Other:

• Phantom Power: 48 V, 24 V, OFF
• USB: USB2.0 High Speed Mass Storage Class operation, Audio Interface operation (USB functions operable by USB bus power)
• Power Requirements: DC 5 V 1A AC from AC adapter (ZOOM AD-14), Batteries IEC R6 (size AA) x 2
• Continuous Recording Time: Approx. 6 hours (Usually), Approx. 11 hours (STAMINA MODE)
• Dimensions: 73 (W) x 156.3 (D) x 35 (H) mm
• Weight: 280 g (without batteries)

* 0 dBm = 0.755 Vrms. Design and specifications subject to change without notice.

– Check the connections to your monitor system (headphones or speakers).

– Check the volume setting of your monitor system and the H4n’s output volume control.

– In MTR mode, check if the volume level setting (in the Mixer) for tracks 1–4 is appropriate (not muted or too low).

– If playback is carried out with a track in recording standby condition, a temporary file is created. If the remaining SD card capacity is low, this temporary file might use up all space, causing playback to stop.

– Try canceling the recording standby condition for the track(s) before starting playback.

– Check the H4n’s input source settings (ensure the correct input – MIC, INPUT 1, INPUT 2 – is selected).

– Check the physical settings of the INPUT [1], INPUT [2], and [MIC] buttons/switches.

– Check if the recording level setting (REC LEVEL) is appropriate (not too low).

– If using INPUT [1]/INPUT [2] jacks, try raising the output level of the connected instrument.

– Ensure the Monitor function is ON, or a track is set to recording standby, if you need to hear the input signal before actual recording starts.

– Verify that the main [REC] button AND the button for the target recording track (e.g., TRACK [1]) are both lit red (indicating recording standby for that track).

– In MTR mode, check if the current project is protected. Recording is not possible on protected projects. Select another project or turn protection OFF for the current project.

– Verify that an SD card is inserted correctly.

– Check if the HOLD switch is activated; disable it if necessary.

– Check if the SD card is write-protected. If the display shows “Card Protected”, slide the write-protect switch on the SD card to the non-protected position.

– Ensure there is sufficient free space on the SD card.

– Verify that the volume levels (in the Mixer) of the tracks you want to bounce (tracks 1–4) are not fully lowered or muted.

– Verify that there is sufficient free space on the SD card to accommodate the new bounced file.

– Check if the effect section or specific effect module (PREAMP, EFX in MTR mode) is turned ON.

– Note that effects might be off by default in stereo mode and 4-track mode until explicitly enabled or a patch containing effects is selected.

– In MTR mode, ensure you have selected and configured effects within the EDIT menu for the project/track.

– Check that the input source selected on the H4n (e.g., INPUT 1, INPUT 2) matches the jack to which the instrument is connected.

– Ensure the instrument’s volume is turned up sufficiently.

– Check if the computer’s operating system meets the requirements listed in the H4n documentation (or page 035 of the PDF).

– Ensure that the USB mode (AUDIO I/F or STORAGE) was selected correctly on the H4n *before* expecting the computer to recognize it fully for that function.

– Try a different USB port on the computer.

– Try a different USB cable.

– Ensure the necessary driver (ZOOM H4 ASIO driver for Windows Audio I/F) is installed correctly.

– Ensure the H4n firmware is up to date.